CrimeAnnée1973Durée1h 27mIMDb5.6

Black Mama White Mama

CrimeDrameThriller

A Black prostitute and a white revolutionary must form an uneasy alliance when they are busted out of prison, then pursued by guerrillas, bounty hunters and the Army.

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Bande-annonce

Casting

Eddie Romero

Director

Pam Grier

Lee Daniels

Margaret Markov

Karen Brent

Sid Haig

Ruben

Lynn Borden

Matron Densmore

Zaldy Zshornack

Ernesto

LB

Laurie Burton

Warden Logan

Eddie Garcia

Capt. Cruz

AA

Alona Alegre

Juana

DF

Dindo Fernando

Rocco

Vic Diaz

Vic Cheng

Wendy Green

Ronda

Lotis Key

Jeanette

AC

Alfonso Carvajal

Galindo

Bruno Punzalan

Truck Driver

Subas Herrero

Luis

Jesus 'Og' Ramos

Alfredo

CA

Carpi Asturias

Lupe

Andres Centenera

Leonardo

HC

H.R. Christian

Writer

JV

Joe Viola

Writer

Jonathan Demme

Writer

Commentaires

10 commentaires

zozo gnoutouNov 21, 2025

D'lawFeb 14, 2024

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Louloud.kmsMay 29, 2023

Mabafokeng MokukuMay 29, 2023

source: Black Mama White Mama

Franja du PlessisMay 23, 2023

"Black Mama, White Mama" has something for everyone. Everyone, that is, who walks directly to the "Action/Adventure" section upon entering their local video store. First, it starts out in a woman's prison in some random South/Central American country. Second, the suggestions of lesbianism that this setting offers are set into hyper-warp by the chaining together of the two rivals for the lead, Pam Grier and Margaret Markov, while they wear nothing but skimpy prison tunics. They go on the run together while the film makes various unnecessary-yet-entertaining visits to all of those on their trail: Grier's former pimp, government agents after Markov, and, last but not least, Sid Haig's delightfully flamboyant "cowboy" character. This is a video that's not necessarily fun for ALL, but rather, a video that's fun for all who keep video stores in business.

🐊🐍محــــمود🕷 لعميـــري🐍🐊May 23, 2023

Hellcats/The Hot Box duo Viola and Demme next paired the winning combination of Pam Grier and Sid Haig in yet another prison film, Women In Chains/Black Mama White Mama. Blonde revolutionary Margaret Markov and sworn enemy Grier, who thinks Markov's revolution is "jive-ass", bust out of prison chained together in a 70s gender reversal of The Defiant Ones. They continue to bitch and scratch each other as they head across the countryside (at one point dressed as nuns!) to meet up with Markov's bandit buddies. Sid Haig is the comedy relief in a cowboy hat as the lead bandit, and in one scene has two naked women riding him like a horse. Haig continued to work with Pam in Coffy and Foxy Brown, and was much later cast by Tarantino in a fitting touch as the sympathetic judge across from Grier in Jackie Brown.

🍯Sucre d’orge 🍭May 23, 2023

This is one heck of a sleazy film. Like so many "women in chains" films, this one is chock full of lesbianism. However, unlike most prior films, which strongly implied this, BLACK MAMA, WHITE MAMA shows an awful lot of skin as a horny female prison guard leers at the women as they shower as well as has sex with one of the inmates. For the early 1970s, this is definitely a soft-core pornographic film--sort of like GIRLS GONE WILD GOES TO PRISON! It's also a bad rip-off of THE DEFIANT ONES, though in this case it's two hot females who hate each other who are chained together when they escape. Whereas the original film is considered a classic, this one can only be considered a classic example of bad taste. That's because there is no subtlety and the movie is just cheap--cheap thrills, cheap writing and very cheap acting. Pam Grier is the "black inmate with an attitude"--a lady who was set up and sent to prison on this hellish island. Margaret Markov is a revolutionary. When they escape, they both can't stand each other and have opposite goals. However, since it is cliché-driven, there's really no surprise in how the film ends--with their both becoming (gag me) friends.

Cheri Ta StéphanieMay 23, 2023

The plot for Black Mama White Mama, revolves around two female inmates, at a women's prison in the Phillipines. One Black, and one White. These two women, are thrown together in the prison. Pam Grier is Lee Daniels Lee is incarcerated in the hellish women's prison, for dancing as a harem girl. Lee's boyfriend owes her part of his profits, from his drug-dealing activities. Lee is mainly interested in breaking out of the prison to get hold of her beau's drug money, so that she can leave the Phillipines and assume a better life. Margaret Markov plays Karen Brent, a white women from a privileged background, who is also a revolutionary. Karen has joined a group of revolutionaries, determined to change the corrupt Phillipino political system. She's captured by Phillipino authorities, and held as a political prisoner. The story-line takes-off, when Karen and Lee break out of the prison they were in together. The two of them also happened to be chained together at the wrist. As they flee, they also fight with each other, because they have different goals to pursue. Naturally, they hate being chained together. But they also realize that they must put aside their differences, to help each other survive while they evade capture. If this film seems very similar to The Big Bird Cage, it's because much of the cast in the two films is the same, as well as their location in the Phillipines. Roger Corman, has always had a consistent stable of actors, that he used in all of his 70s B movies. Besides Pam Grier, Sid Haig, Roberta Collins, Claudia Jennings, Betty Anne Rees, and William Smith, were also among the many actors that were frequently cast, in Corman's AIP films. Like The Big Bird Cage, Black Mama White Mama, relies on too much gory violence to be palatable. Pam Grier conveys her usual tough chick persona in this film, and shows her competence as a female action heroine. Margaret Markov is less effect, in her portrayal of the revolutionary Karen. She just seems to fragile and well-coiffed, to be a dedicated political guerrilla. Except for Sid Haig, as the colorful Ruben, the rest of the cast is forgettable. This film has little entertainment value, unless excessive, heinous acts of violence are your thing. Only the performances by Pam Grier and Sig Haig, make this film worth watching.

✨Imxal Stha✨May 23, 2023

Eddie Romero's "Black Mama, White Mama" aka "Chained Women" of 1972 is a stylish and funny 'Women in Prison' exploitation flick full of the usual ingredients like violence, catfights and shower- and lesbian scenes. The movie's highlight is, of course, the great Pam Grier. Locked up in a brutal prison camp on a tropical island, blonde revolutionary Karen Brent(Margaret Markov) and former black prostitute Lee Daniels (Pam Grier) are constantly having beef with each other. Chained together by the sadistic lesbian prison wardens, the two escape from a con transport. Chased by henchmen of the drug-lord who used to have Lee locked up as a harem-girl, gangsters and the police, the two fugitives have different destinations. While Karen has to find her guerrilla friends, Lee must reach a boat with a case full of cash. On the run, the two have quite some fights, but since they are chained together, they have to get along. "Black Mama, White Mama" is pretty violent and a typical exploitation flick, lots of shootouts, occasional torture, many catfights and naked breasts. The acting in this movie differs. Pam Grier is great as always, and so is sexy Margaret Markov as Karen. Sid Haig's performance as Ruben, a slightly insane gangster in a cowboy outfit, is another highlight in "Black Mama, White Mama" and makes the movie a lot funnier. The rest of the acting is nothing special, typical B-movie performances, some better some worse. A fan of Pam Grier and lover of blaxploitation classics like "Coffy" as well as films like "Jackie Brown", I found "Black Mama, White Mama" very entertaining. Not one of Pam Grier's best movies, but better than most 'Women's prison' flicks, this is a violent and fun film and definitely worth watching.

Derisse Ondo♥️May 23, 2023

I am much more of a Pam Grier fan than a "Women in Prison" fan. While this movie offers plenty of sadism, nudity, and all the other fine features a "WiP" flick offers, its low on the Pam Grier bad attitude butt kicking. The whole "Phillipino Revolutionaries" plot is poorly done, and ridiculous. The ending is weak; the action dull. Basically this hybrid doesn't give enough of any of the genres it dabbles in. Don't watch it.

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