فعلالسنة1978المدة1h 41mIMDb6.2

Convoy Busters

فعلجريمةإثارة

In Rome, a vagrant finds the body of a teen girl, her throat professional slashed. Police inspector Olmi uses his brutal and violent methods to follow a trail that leads him toward high government officials. When his methods leave an innocent bystander dead, the corrupt officials have an excuse to get Olmi transferred to a coastal town where the pace is slow and he has time for a romantic dalliance. Soon, Olmi discovers that fishing isn't the only local occupation, and out comes his gun and his ruthless tactics of investigation.

شاهد الآن

الإعلان الترويجي

طاقم العمل

SM

Stelvio Massi

Director

Maurizio Merli

Police Commissioner Olmi

Massimo Serato

Mr. Degan

Mario Feliciani

Prosecutor

Mimmo Palmara

Mr. Corchi

MG

Marco Gelardini

Marcello Degan

AD

Attilio Duse

Agent Ballarin

Olga Karlatos

Anna

PG

Piero Gerlini

Journalist

Luigi Casellato

Homeless Man

MG

Maurizio Gueli

Judge Garganese

Luciano Roffi

Degan's Secretary

AZ

Alfredo Zammi

Coroner

AG

Alice Gherardi

Lorena

PM

Paola Maiolini

Cook

Franco Maria Salamon

TV Clerk

DM

Danilo Massi

Writer

GC

Gino Capone

Writer

TC

Teodoro Corrà

Writer

التعليقات

10 تعليق

Meral 👑Oct 17, 2023

Kinaatress ❤️May 23, 2023

Maurizio Merli is, for me, the face of poliziotteschi, taking on a similar role as Clint Eastwood as a judge, jury and executioner of criminals that lives by his own strict code and must follow it, no matter how much it destroys his life. Whether he's Commissario Betti in Violent Rome, Violent Naples and Special Cop in Action or Inspector Leonardo Tanzi in The Tough Ones and The Cynic, The Rat and The Fist or out of the badge roles in Mannaja and Highway Racer, Merli comes across as a man of action and principle. In Convoy Busters, he plays In Rome, Inspector Olmi, a rough cop who uses brutish methods to discover who killed a young girl with a professional-looking slash to the throat and dumped her in the river. His case leads him to the highest chambers of the corrupt Rome government, which outs him in the crosshairs of those officials, organized crime and the media. An attempt to take him out leads to the death of an innocent bystander, which is enough for the powers that be to send him away to a small fishing town and out of their lives. Olmi, of course, can't shut off his need to be a cop and soon discovers that there's a smuggling operation going down right in his new home. That's when the real title of this movie -- Un Poliziotto Scomodo (An Uncontrolled Cop) -- makes more sense, but one assumes that Convoy was a big deal in 1978 and if it got more people to see this movie, then that's the name in foreign markets. There's a great brawl in a bar, a helicopter chase and plenty of great scenery between the two halves of this story, which nearly feel like they give you two films. The beginning, as the girl is taken from the water, feels almost giallo. Director Stelvio Massi was the cameraman on A Fistful of Dollars and director of photography for The Case of the Bloody Iris, as well as the director of Emergency Squad and Magnum Cop as well as two giallo, Five Women for the Killer and the berserk Arabella the Black Angel. The script was written by Stilvio's son Danilo (who was also the assistant director), Gino Carpone (Conquest) and Teodoro Corrà (Body Puzzle).

heni heni6May 23, 2023

While this film isn't quite as dreary as FEARLESS FUZZ (which must have spent almost its entire budget coaxing Joan Collins to guest star), CONVOY BUSTERS still feels too sloppy to really compete with the other, much better work Maurizio Merli did for Umberto Lenzi and Marino Girolami. Stelvio Massi's films always felt like cut-rate Umberto Lenzi, though with a much higher emphasis on creative camera angles and slow motion, so with a little Antonio Margheriti and Enzo Castellari mixed in. However his films certainly suffered from lack of money, and this film is no exception. Maurizio Merli starts the movie on the tail of a ruthless killer and diamond smuggler who frustratingly slips out of his grasp. Oddly enough, the movie completely switches gears and spends its second half in a sleepy seaside community when Merli gets transferred to get away from it all. This sort of thing would never be green-lit today as the nervous studio execs would demand that the villain find his comeuppance or at least have something tie in from the first half later on. No such luck. The strangeness of this film is really what sets it the most apart from Merli's other more routine late-70's police outings. There's a couple great scenes in there like when Merli (albeit unrealistically) hunts down several crooks with a helicopter armed only with a revolver with what must be "criminal-seeking bullets". Things get muddled when he meets a girl (the stunning Olga Karlatos) and it turns into an awkward romance as everyone (you, me, and both of them) can tell he's way more into his work than her. Another memorable goofy scene highlights some miscast 30-somethings as teenagers terrorizing a stadium and shooting at the whimpering owner who looks like either a bloated Sean Penn or a late-career Zalman King. Merli shows up and administers more of his productive signature beatings, but to the teens and not the owner. The main gang at the end really lacks much of a sense of menace, even when they take hostages. This film really could have used better actors as henchmen but unfortunately plays its cards too soon as Nello Pazzafini and Riccardo Petrazzi only get one short scene as a pair of robbers shacked up with a sleepy hippy chick who gets delightfully shot through the wrist. More beatings ensue. Definitely a hit-and-miss affair. Set your expectations low and you'll have a lot more fun than THE REBEL or FEARLESS FUZZ. The most memorable aspect of the film is the scene where Maurizio Merli fatally shoots some innocent bystander and promptly just forgets about the whole thing.

Ivan CortêsMay 23, 2023

Cult actor Maurizio Merli, or "The Magnificent Moustache" as I just decided to start calling him, was the one and only true badass Italian copper of the 70s! Haters may refer to him as just a poor and hardly talented Franco Nero doppelganger (and they may even have a point), but for devoted fans of the wondrous Poliziotesschi sub genre, he always remains the archetypic and charismatic symbol of raw & unorthodox police work and outrageously wild car chases. The collaborations with director Umberto Lenzi ("Violent Naples", "The Cynic, The Rat and "The Fist") undoubtedly formed the high-point of Merli's career, but he also made a number of amusing films with Stelvio Massi, of which this "Convoy Busters" may be the best one. Actually, I don't like the international title "Convoy Busters". It's meaningless and irrelevant, and probably just chosen to sound reminiscent to the contemporary successful US flicks "Convoy" (Sam S. Peckinpah) and "Wages of Fear" (William Friedkin). The original Italian title is very apt and powerful, in fact, especially seen over the course of the entire film. "Un Poliziotto Scomodo" literally translates as "An Uncontrolled Cop", and uncontrolled definitely describes Merli's character Commissioner Olmi. In his homestead Rome, Olmi investigates the brutal murder of a young girl whose body got dumped in a river with the throat clean and surgically cut. The search, as well as numerous other vile crimes, leads to the rich and hugely influential politician Degan, but Olmi is unable to make an arrest, since he gets protection from the equally corrupted prosecutor and even Olmi's own direct superior. Frustrated that Degan gets away with literally everything right under his nose, Olmi's working methods become even more unorthodox, and so his superiors quickly find a good enough reason to transfer him to a quiet and practically crimeless coastal town. Here, Olmi comes to rest and even finds romance, but his strong police instincts uncover a well-organized weapon trafficking network via the sea and involving local companies. Due to the abrupt transfer of Merli's character from Rome to the little village, and the complementary change in tone & pacing, it almost feels as if you're watching two entirely different Poliziotesschi flicks! The first part is obviously better, with the traditional 'violent city' setting, better action and familiar footage (like Merli yelling against his supervisors or literally beating a confession out of suspects). The opening scene, with the discovery of the dead girl in the water, almost feels like a genuine giallo. The scenes in which Merli shoots bad guys from inside a helicopter is iconic Poliziotesschi; - especially the last shot in slow-motion! The second part, at the seaside, is interesting as well, but Merli clearly feels uncomfortable playing the sensitive guy and kissing his love-interest. The intense climax, with a hostage situation at an elementary school, compensates for a lot, though!

TimaMay 23, 2023

It's a film of two halves as Maurizio Merli starts out as a no-nonsense cop with an itchy trigger finger and ends up as a bored cop with an itchy arse in this slightly different cop film from Stelvio Massi. Someone has killed a teenage girl and dumped her in the Tiber. The first suspect, her boyfriend, has ended up being roasted in a car and all evidence points to the son of a local import company owner. Maurizio beats up half of Rome and discovers it's the boy's father who is the real crook, smuggling diamonds into the country. He's also well connected and while Maurizio has a fine time gunning down henchman, he has a lot of trouble getting to the boss due to being bogged down with red tape. Pissed off, beaten down, and hacked off, Maurizio only goes and shoots a cop by accident. We'll never know if he told anyeone about it or just left the guy lying in the street because the next thing you know Maurizio is taking up a post on a coastal town. Don't be so down-hearted Mo, here comes Olga Karlatos! Maurizio starts himself a little romance, but one day at the docks he realises that a certain fish that the trawlers brought in is not indigenous to the Adriatic Sea, and this sets off another action packed escapade. I'm not kidding - that's how good a detective Maurizio is! Ending one story in the middle of the film and switching to an entirely different place keeps the film interesting, even though the film is a bit front heavy on the action front. You won't hear me complaining about Maurizio gunning people down from a helicopter, mostly because I don't talk about these things out loud, but also because no one ever listens to me, ever. Still, this is a strong film even for those people who are a bit picky about these things, and it's a wonderful tale about a man who falls out of love with his gun, only to learn to love it again - by using it to kill bad guys.

Samira SaidMay 23, 2023

Convoy Busters may not be the best Polizi movie ever to come out of Italy, but it's certainly an above average crime romp with a great cast and more action packed stunt sequences than you can shake a stick at! The film is set up a little differently to most of the Polizi movies that I've seen, as it's a movie of two halves and a lot of it takes place in settings unlike the thick urban atmosphere I've come to associate with this sort of movie; namely, a quiet seaside town and the rural countryside. Most of these films take influence from Dirty Harry, and Convoy Buster is no different as Maurizio Merli's maverick copper has a definite Clint Eastwood vibe about him; but the fact that it's a little different gives Convoy Busters a lot of credibility in my opinion. The story starts when the dead body of a young girl is found with her throat cut. Commissioner Olmi takes the case, but when his violent methods leave an innocent man dead; he gets transferred to a quiet coastal town. However, the fact that it's quiet doesn't mean there isn't any organised crime... This is the first Polizi I've seen from director Stelvio Massi, and while it doesn't rival the likes of Umberto Lenzi and Enzo G. Castellari, I'm definitely interested in checking out more from him. Massi's handling is generally very good, and while the plot does have a few problems; certain sequences - the one in which the inspector shoots a few crooks from a helicopter in particular - are real standouts. There's plenty of action to keep the audience entertained throughout and it comes through in a steady stream. The stunts range from a very well done bar room brawl to a great sequence that sees Merli smash through a school window. The leading man puts in an excellent performance. He can look a little silly at times, but generally he fits the role very well and this was more than enough to keep this Eurocrime fan happy. It has to be said that Convoy Busters doesn't work from the most imaginative of scripts, but this isn't too important as Massi is more than equal to the task of making sure that what he has to work with is always entertaining as a film like this should be. Overall, Convoy Busters is well worth seeing and I certainly recommend it.

مهوته😋Mar 13, 2023

Maurizio Merli is, for me, the face of poliziotteschi, taking on a similar role as Clint Eastwood as a judge, jury and executioner of criminals that lives by his own strict code and must follow it, no matter how much it destroys his life. Whether he's Commissario Betti in Violent Rome, Violent Naples and Special Cop in Action or Inspector Leonardo Tanzi in The Tough Ones and The Cynic, The Rat and The Fist or out of the badge roles in Mannaja and Highway Racer, Merli comes across as a man of action and principle. In Convoy Busters, he plays In Rome, Inspector Olmi, a rough cop who uses brutish methods to discover who killed a young girl with a professional-looking slash to the throat and dumped her in the river. His case leads him to the highest chambers of the corrupt Rome government, which outs him in the crosshairs of those officials, organized crime and the media. An attempt to take him out leads to the death of an innocent bystander, which is enough for the powers that be to send him away to a small fishing town and out of their lives. Olmi, of course, can't shut off his need to be a cop and soon discovers that there's a smuggling operation going down right in his new home. That's when the real title of this movie -- Un Poliziotto Scomodo (An Uncontrolled Cop) -- makes more sense, but one assumes that Convoy was a big deal in 1978 and if it got more people to see this movie, then that's the name in foreign markets. There's a great brawl in a bar, a helicopter chase and plenty of great scenery between the two halves of this story, which nearly feel like they give you two films. The beginning, as the girl is taken from the water, feels almost giallo. Director Stelvio Massi was the cameraman on A Fistful of Dollars and director of photography for The Case of the Bloody Iris, as well as the director of Emergency Squad and Magnum Cop as well as two giallo, Five Women for the Killer and the berserk Arabella the Black Angel. The script was written by Stilvio's son Danilo (who was also the assistant director), Gino Carpone (Conquest) and Teodoro Corrà (Body Puzzle).

Nouhaila ZaariiMar 13, 2023

This is one of Stelvio Massi's best movies ever. A lot of first class stunts, chases and shootings that make this movie better than the average of Italian 'poliziotteschi' movies. But the whole plot is about a man who feels uncomfortable with himself both as a cop and as a man. The title in Italian is "Un poliziotto scomodo", literally "An uncomfortable cop". It has been freely translated as "Convoy Buster" even though there's no convoy in the whole movie. The original title has a double meaning. It means both "A bothering cop" and "A discomforted cop". It's a reference to the two halves into which the movie can be subdivided. In the first half Inspector Olmi is in Rome, investigating on a double murder related to a rich and politically influential diamond smuggler. As Inspector Olmi finds out that the smuggler has bribed the judge who had to sue him, he realizes that it's depressing to be such a goop cop if you ain't backed by the system. Instead of promoting him, in fact, the local chief of police degrades him from homicide division to patrol. Inspector Olmi understands he is bothering the "big fishes", so he decides to give up and move to a quiet seaside small town, where he locks down is gun and tries to be an anonymous non-violent officer. He meets a beautiful woman who eventually becomes his girlfriend. But organized crime won't leave him alone as he finds out a gang of gun dealers that operates in that area. He resumes his Clint Eastwood's attitude and manages to annihilate the criminals, but in the final scene we see him drop down his gun and badge, desperate at his own tragic fate: he is not fit for life, since he is not appreciated as the good cop he is and there's nowhere he can hide from violence and blood-thirsty organized crime... One of those excellent movies when there was no such thing as a happy ending...

la poupée nzebi🥰Mar 13, 2023

While this film isn't quite as dreary as FEARLESS FUZZ (which must have spent almost its entire budget coaxing Joan Collins to guest star), CONVOY BUSTERS still feels too sloppy to really compete with the other, much better work Maurizio Merli did for Umberto Lenzi and Marino Girolami. Stelvio Massi's films always felt like cut-rate Umberto Lenzi, though with a much higher emphasis on creative camera angles and slow motion, so with a little Antonio Margheriti and Enzo Castellari mixed in. However his films certainly suffered from lack of money, and this film is no exception. Maurizio Merli starts the movie on the tail of a ruthless killer and diamond smuggler who frustratingly slips out of his grasp. Oddly enough, the movie completely switches gears and spends its second half in a sleepy seaside community when Merli gets transferred to get away from it all. This sort of thing would never be green-lit today as the nervous studio execs would demand that the villain find his comeuppance or at least have something tie in from the first half later on. No such luck. The strangeness of this film is really what sets it the most apart from Merli's other more routine late-70's police outings. There's a couple great scenes in there like when Merli (albeit unrealistically) hunts down several crooks with a helicopter armed only with a revolver with what must be "criminal-seeking bullets". Things get muddled when he meets a girl (the stunning Olga Karlatos) and it turns into an awkward romance as everyone (you, me, and both of them) can tell he's way more into his work than her. Another memorable goofy scene highlights some miscast 30-somethings as teenagers terrorizing a stadium and shooting at the whimpering owner who looks like either a bloated Sean Penn or a late-career Zalman King. Merli shows up and administers more of his productive signature beatings, but to the teens and not the owner. The main gang at the end really lacks much of a sense of menace, even when they take hostages. This film really could have used better actors as henchmen but unfortunately plays its cards too soon as Nello Pazzafini and Riccardo Petrazzi only get one short scene as a pair of robbers shacked up with a sleepy hippy chick who gets delightfully shot through the wrist. More beatings ensue. Definitely a hit-and-miss affair. Set your expectations low and you'll have a lot more fun than THE REBEL or FEARLESS FUZZ. The most memorable aspect of the film is the scene where Maurizio Merli fatally shoots some innocent bystander and promptly just forgets about the whole thing.

Nsoo7yMar 13, 2023

If you're a fan of the Italian polizia thriller, the names Stelvio Massi and Maurizio Merli should be familiar. The pair, whether together or individually, are responsible for some of the best this genre has to offer. They teamed-up to make 1978's Convoy Busters and, for the most part, came up with a winner. The action is almost non-stop. It's a violent, sometimes bloody ride full of chase scenes and gun battles. And the pace rarely lets up. There are few directors who did action as well as Massi. He shows his mastery of action in several set-pieces in Convoy Busters with the chase scene involving the helicopter being among the best I've seen. The final slow-motion shoot out is a thing of beauty. As for Merli, when he's not busy posing for the camera (which he has a tendency to do too often), he was a good action star. He's big and physical enough to effectively and believably pull of the role. And, unless I'm terribly mistaken, he did a lot of his own stunts. Watching Convoy Busters is like watching two movies in one. The plot is neatly split into halves with neither having much to do with the other. In the first half, Merli is a police officer stationed in Rome. He grows increasingly tired of the violence he faces on a daily basis. He's working on a case involving a well-connected smuggler. But because of bureaucracy and leaks within the police department, his quarry gets away. Frustrated with the experience, he asks for a transfer to a small sea side town where things are much quieter. Enter the second half of the movie. In his new environment, the most dangerous thing Merli faces is the boredom of a town where nothing seems to happen. That is until Merli uncovers a smuggling operation in his new quiet hometown. He's soon thrust back into the violence he sought to escape. But it's this plot structure that I found to be the weakest element in Convoy Busters. The first half of the movie ends with the bad guy boarding a plane and heading off to Geneva. Unfortunately, he's never mentioned again. This plot thread is never satisfactorily resolved. I would have liked it had Merli met up with him again at some point in the movie. After making an emotional investment of time, I expected a payoff.

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