DrameAnnée2004Durée2h 3mIMDb6.4

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DrameWar

A drama that investigates anxiety and disillusionment in America.

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Bande-annonce

Casting

Wim Wenders

Director

Michelle Williams

Lana

John Diehl

Paul

Wendell Pierce

Henry

Shaun Toub

Hassan

Richard Edson

Jimmy

Burt Young

Sherman

Yuri Elvin

Officer Elvin

Jeris Poindexter

Charles

Rhonda Stubbins White

Dee Dee

VT

Victoria Thomas

News Reporter

Matthew Kimbrough

News Anchor

PW

Paul West

Policeman

Jeffrey Vincent Parise

Coroner's Assistant

Christa Lang

Trailer Park Woman

Warren Stearns

Mortician

Bernard White

Youssef

Gloria Stuart

Old Lady

Golan Ramraz

Shlomo

Wim Wenders

Writer

Scott Derrickson

Writer

MM

Michael Meredith

Writer

Commentaires

10 commentaires

Dounia & IhssasJun 13, 2025

This film brings me to mind the music of Sade. Sad-sounding songs telling about beautiful films. This film is the opposite. Extremely beautiful film about sad things. A film about how America changed, not only after the 9/11 but more on how America changed since Wim Wenders first went to US. It seems as if Wim was trying to recall himself why he went to America and, more important, why he left there, in the country we people in Europe probably do not understand. I think Lana (Michelle Williams, who whose role automatically brings to my mind Amelie Poulain) is, in my opinion, actually Wim Wenders and Paul (Lana's uncle) is a metaphor of today's America. A country that Wim loves (and this love is based on historical picture) but that he can neither understand nor agree with. And when Lana says to Paul: '...but I still love you as you are', I know this is probably the most important, most touching and most true film related to sept 9/11. That is why I give it a 10/10. see you around <maciej>

babe shanuJun 13, 2025

The End of Violence and certainly the Million Dollar hotel hinted at the idea the Wenders has lost his vision, his ability to tell compelling stories through a map of the moving picture. The Land of Plenty seals the coffin, I'm afraid, by being a vastly unimaginative, obviously sentimental and cliché'd film. The characters are entirely flat and stereotyped, the writing, plot and direction are amateurish, at best. For the first time in quite a while, I was impatient for the film to end so I could get on with my life. The war-torn delirium of the uncle, the patriotic abstract gazing at the sky at the conclusion...it all just struck me as being so simple and pathetic, hardly the work of a filmmaker who once made some compelling magic on screen. What happened? The days of experimentation, perceptive writing and interesting filming possibilities are long behind him, I'm afraid. Let's hope he finds his inspiration again... At the Toronto film festival, which is where I saw the film, Wenders was there to introduce it. Completely lacking in humility, he offered us the following: "I hope...no, wait...I KNOW you're going to enjoy the next two hours." I'm afraid he couldn't be more wrong...

aureole ngalaJun 13, 2025

This film tries to catch the mood of how US try to relocate after 911. I can understand that if one are a republican they will not like this movie, but that doesn't take away the fact that this is a very good movie. You find the hyper paranoid Vietnam veteran that drives around LA trying to find suspected people that in his mind will be planning the next 911. In another thread of the story there is a young woman that comes home to US , a child of US missionary's from Africa, that comes home and see her country for the first time since childhood. What I have been told about this movie is that no distributor in the US want to take on this movie due to political reasons. Its sad because its a good movie.

mostafa_sh_daw 🇲🇦🇩🇿❤️❤️Jun 13, 2025

The American daughter of missionaries Lana (Michelle Williams) returns to Los Angeles from Palestine to work in a mission helping homeless people. Lana was born in Ohio and raised in South Africa and Middle East, and she is an authentic citizen of the world, connected through Internet and aware of how other people see the lack of culture and knowledge and exaggerated patriotism of average American people. Her unique relative is her unknown uncle Paul (John Diehl), a veteran of Vietnam War that cut relationships with his family and is bigot and paranoid. Paul lives in a surveillance van, lives as if he were a secret agent, sees conspiracy and terrorist cells everywhere, and has a great prejudice against Arabs and other non-American breeds after the September, 11th. They meet each other, and when they see the murder of a poor Pakistanis nearby the mission, they travel together to the small town of Trone to deliver his corpse to the family, where Paul sees a different reality. "Land of Plenty" is a very well acted low budget movie, with great performances of Michelle Williams and John Diehl. Wim Wenders tries to picture the reality of North America unknown for foreigners and even common Americans, with homeless and alienated people living with fear, angst and prejudice, totally disconnected of the world, instead of the land of opportunities and plenty of the American Dream shown in most of the American movies. In this regard, he is very well succeeded, but in my opinion I found the character of Paul absolutely exaggerated, using many apparatuses and gadgets in his "work". The beautiful and shining character of Michelle Williams gives the hope that the world can be a better place someday. My vote is six. Title (Brazil): "Medo e Obsessão" ("Fear and Obsession")

Hanna 21Jun 13, 2025

A must-see for anyone who is either a Wim Wenders fan or a person interested in the fears and hopes of contemporary America. German director in a brilliant way makes us ponder upon all the issues so essential to understanding American reality after 9/11. Ethnic prejudices, stereotypes, homelessness,terrorism, Vietnam war, pursuit for an identity, search for lost relatives - all these components are omnipresent, smoothly woven. Wenders mastery reveals in the fact that he manages to touch upon serious topics and in the same time introduce elements of humor and even grotesque. "Land of plenty" leaves us with the voice of Leonard Cohen and plenty of thoughts about relation between individual and contemporary world.

Serge MosengoJun 13, 2025

Watching "Der himmel über Berlin" as a teen in the late 80's was a profound experience for me - "so this was what the movies could be". Along with "Paris, Texas" and "Until the End of the World" it still holds a special place in my heart and mind - a testament to the genius of Wim Wenders. Unfortunately later years has seen a steady decline in the quality of his work with "Million Dollar Hotel" and "Land of Plenty" hitting a terrible low point. Gone are the captivating pictures or music. No search for or display of great insight. All that is left are characters and thinly veiled political statements, that boils down to nothing but clichés, and quite frankly mock the intelligence of a mature audience. Has the well run dry? Whatever the reason, it's time for Mr. Wenders to either step it up or stop altogether.

Baby timaJun 13, 2025

With a tendency to repeat himself, Wenders has been a consistent disappointment ever since he hit it big with 'Paris Texas'. 'Land of plenty' is no exception. Taking into the fact that I anticipated an average-mediocre film even before I went in, Wenders' ambitions seem to always get the better of him. It's taken for grated now his films are heavy-handed and bombastic. I weren't sure if I was watching a comedy that mocks Middle America or some thriller. The outcome of Diehl's character is wholly predicable. Wender's insistence on layering many many scenes with some rock song is also intensely annoying. He was covering up the holes in his script and direction by jazzing up the scenes. I am certain that many people will find this film important and resonant but in all honestly, this clumsy and didactic effort only speaks of poor direction. Interesting that Wenders professed that while making 'Paris Texas', he had great help from Sam Sheppard with the script. Yes, that was Wenders' best and he should understand now he needs a good scriptwriter. His films from the past 15 years+ were a total mess.

mr__aatuJun 13, 2025

I get it the Diehl character is s'posed to be a microcosm of America itself - seeing Arab terrorists under every rock, only to find out at the end that it's his own actions all along that got him into that siege state and truly if he practices good-will to all men everything will be rainbows and lollipops. Sorry Wim you have made amazing movies in the past that stay neutral of the politics and for good reason, polemics are your weak point and they weaken this a well-made, amazingly filmed movie with absurd characters, dialog and plotting. Better luck on your next flick. Another thing that yanked my crank was the belabored point of the homeless section of LA being there for reasons of hunger, these people don't get enough to eat. Truly these folks aren't eating regally but the real hunger these folks is a spiritual hunger, an emotional hunger, a mental hunger. They need self-respect, self-worth, dignity which you can't give a man. Yeah those folks are hungry and if they need it it is available. Less the center for hunger in America, I would say it's more the center for alcoholism, drug-abuse, mental suffering and economic devastation. Dealing with hunger although a noble endeavor is band-aiding a more profoundly systematic societal and age-old human problem of homelessness. Bill Diehl was good though and Michelle Williams was cute as the young yet (cliched) old soul.

5ishurJun 13, 2025

The hysterical thing about this movie is that, according to the director, it has difficulty finding a distributor in the U.S. because most of them that viewed it couldn't reconcile the seemingly conflicting messages of Christianity and American angst. The thought of anyone seeing this as a religious film in anyway is laughable. Because a minister at a mission prays with the homeless or wishes someone "Godspeed" this makes it a "Christian" movie? One could interpret that it is actually mocking religion for in the "Land of Plenty" with all of its material excess, the best an organized mission can do is hand out a bowl of soup and a bible verse. Plenty of unfortunate or downtrodden maybe? Plenty of useless homeless missions? How about plenty of psycho Vietnam vets? As a pill-popping delusional survivor of agent "pink" are we to think America is a "Land of Plenty" of paranoid patriots? Maybe we have plenty of psychiatric patients? Certainly we don't have plenty of people concerned about Palestine politics based on the main characters phone conversation in the film. Of course if you worked in a German homeless shelter the unfortunate there would be much more concerned about peace in a distant land than their own personal survival as the world knows how Europe is the "Continent of Plenty" when it comes to sophistication. Indeed I agreed with the title in the end as the United States is the "Land of Plenty" and in this particular case it refers to the abundance of poor scripts, amateur acting and dispassionately directed films. Life is too short and one, even an American, doesn't have "plenty" of time to waste watching this piece.

SYDNEY 🕊Jun 13, 2025

http://eattheblinds.blogspot.com/ There isn't too much to like about Wim Wenders' films over the last twenty years. There have been a few bright spots, but for the most part, Wenders' obsession with America has gotten the worst of him. In his prime, few directors since Antonioni were as adept at depicting inner monologues through silence. Wenders' characters were complicated men of few words. Over time Wenders love affair with America somehow convinced him that the 'less is more' approach was failing. Wenders threw his greatest strength out the door and substituted it with what would become, over time and many films, his achilles heel: big ideas. The characters in Land of Plenty aren't really individual people, they are ideas. These characters represent something grander, something excruciatingly ambitious: the American conscience. Lofty goals of this sort often end up as preachy and pretentious and LOP's screenplay is just that. Shot on the cheap, on digital video, LOP feels like noble idea rushed into production without the benefit of enough revisions to weed out the heavy handedness. Films concerned with the traumatic effects of 9/11 are compelled to be both profound and reverential, the problem is profound and reverential seldom make for a worthwhile movie going experience. If there was a rating system based on the number of American flags displayed in a movie, LOP would score full points, as it is, LOP rates very low.

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