DrameAnnée1950Durée1h 36mIMDb6.1

Trois gosses sur les bras

DrameMusical

Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.

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Bande-annonce

Casting

Henry Koster

Director

Betty Grable

Kitty Moran

Dan Dailey

Jack Moran

David Wayne

Walter Pringle

Jane Wyatt

Janet Pringle

Mitzi Gaynor

Gloria Adams

Una Merkel

Miss Irma Gilbert

DH

Don Hicks

Young Man

Louise Beavers

Selma

LP

Laura Pierpont

Mrs. Johnston

HS

Harry Seymour

Undetermined Minor Role

Robert R. Stephenson

Undetermined Minor Role

RA

Richard Allan

Dancer

Bill Baldwin

Bill

JB

Jackie Barnett

Minor Role

BB

Beth Belden

Lady

GB

Georgie Billings

Pageboy

CB

Conrad Binyon

Elevator Boy

VL

Vicki Lee Blunt

Jenny Pringle

CB

Claude Binyon

Writer

SL

S.K. Lauren

Writer

LT

Lamar Trotti

Writer

Commentaires

10 commentaires

ZobyMay 29, 2023

source: My Blue Heaven

user802183689876May 18, 2023

QuinNellowNov 16, 2022

My Blue Heaven

Dafidil LanappeNov 16, 2022

Love the costumes wore by Betty Gable. Wondering if all the furs were real? The white fur was so elegant. Was that all rabbit? Even the dark blue and black dress was awesome. Where can we get info on that dress?

Shreya SitoulaNov 16, 2022

Usually I love the Fox musicals...but this one is just boring. The dancing and the songs can't save this one. And how nice to know that they actually had color TV video cameras and color TV receiver sets in 1950!!! The special effects people couldn't make the spliced-in TV images in B&W I guess???? Bad editing. And don't you just envy Betty Grable's push-down monitor. Wow, wish I had one (not). And that "baby" that the Morans illegally "adopt" (then they get her back later, still under suspicious circumstances)...and the Morans never had given "baby" a name? Unless I missed it along the boring way. Then old Miss Adoption Agency has a quick change of heart and offers them a boy. Then Betty is pregnant again after all!!!! All this makes for a very unbelievable story.

Phindile GwalaNov 16, 2022

This film really isn't much. The performers are all agreeable, but the real star is the score by Harold Arlen and Ralph Blane. The lost gem is "Halloween", an Arlen waltz performed by Betty Grable, Dan Dailey, and David Wayne. Arlen did not write many waltzes. Only "When the Boys Come Home", "Sunday in Cisero Falls", and "Fancy Free" come to mind. This is a fine waltz with a witty lyric by Blane telling us that Irving Berlin forgot to write a song about "Halloween". "Don't Rock the Boat", Arlen's take on Calypso music, is also a winner. "Friendly Island" is a hilarious send up of Rodgers and Hammerstein's "South Pacific". Blane has never been so archly funny. Dailey even makes fun of Ezio Pinza's singing in this number. Aside from these numbers, "Mother Wore Tights" and "Call Me Mister" are superior Grable-Dailey films. Wayne gives us some comedy, but it is not enough to make the film sparkle.

سالم الفاضلي|🇱🇾🔥Nov 16, 2022

Mediocre musical. Kitty and Jack Moran (Betty Grable and Dan Dailey) try to adopt a baby. One complication after another pops up preventing them from doing that. These complications aren't funny--just pretty depressing (for a musical). These are all interspersed with bad music and dance numbers. This is a pretty bad 1950 musical. The dialogue is terrible and all the songs are completely unmemorable. Also Dailey has a tendency to REALLY overact. But the movie is in bright Technicolor,there is a Halloween number that I enjoyed, the plot is pretty interesting and the dancing is incredible. Also David Wayne, Jane Wyatt and a very young Mitzi Gaynor are good in supporting roles. But Grable saves the picture. She's gorgeous, can sing and dance, has good chemistry with Dailey and holds her own in the dramatic scenes. She's basically the only good thing worth watching here. Aside from her this is a bad musical. I give it a 4.

Fatim DoumbiaNov 16, 2022

Can't remember much about the movie, except my parents were a little disgusted at some of the dialogue. One that stands out: Grable and Dailey, a married couple, announced she was pregnant. At a party (or something)where they announced the news, somebody said something like, "Well, we had better go because they probably want to be alone." To which David Wayne, in whatever role he was playing, said, "Listen, if what these two kids said is true, they've been alone." That was one pretty risque line for 1950. Would that dialogue today were as tame as that.

Kgaogelo monamaNov 16, 2022

The songs and dances are wonderful! Kitty and Jack are actors so when they sing/perform there are scenery and wardrobes that go along with the songs, making it less like an ordinary "musical." The story itself is modern and realistic even for the time (like someone else mentioned some of the things they say may have been considered "risque.") If you like old movies or musicals, I recommend you find a way to see this! You'll never get these songs out of your head, and you probably wont want to either. A classic! I grew up watching this movie over and over again. I wish that I could find another copy but it seems impossible. :( If any decides to release it again, let me know!

meme🌹Nov 16, 2022

Even sixty-five years ago this would probably have seemed like a tail- end example of the great late thirties and forties Fox musicals turned out by Fox and a 'resident' team including Alice Fay, Don Ameche, John Payne, Carmen Miranda, Tyrone Power and Betty Grable, who succeeded Alice Faye as Queen of the Lot and was herself succeeded by Marilyn Monroe. Watching it today the overall impression is of s popular genre running out of steam. Harold Arlen's score is lacklustre by his standards though he would turn out A Star Is Born four years later. One of the most interesting segments is the Friendly Islands number, a parody of South Pacific (then in its second year on Broadway) in which Mitzi Gaynor - in her first feature film - actually sings the words South Pacific, and would, of course, go on to play the lead in the film version one decade later. David Wayne is probably the best thing in it and certainly gets the lion's share of the laughs.

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