ड्रामावर्ष1946अवधि1h 42mIMDb7.9

Notorious

ड्रामाFilm-Noirरहस्य

एक दोषी नाजी जासूस की बेटी को अमेरिकी एजेंटों द्वारा दक्षिण अमेरिका में नाजी वैज्ञानिकों की एक अंगूठी के बारे में जानकारी इकट्ठा करने के लिए कहा जाता है।

अभी देखें

ट्रेलर

कलाकार

Alfred Hitchcock

Director

Cary Grant

Devlin

Ingrid Bergman

Alicia Huberman

Claude Rains

Alexander Sebastian

Louis Calhern

Paul Prescott

Leopoldine Konstantin

Mme. Sebastian

Reinhold Schünzel

'Dr. Anderson'

Moroni Olsen

Walter Beardsley

Ivan Triesault

Eric Mathis

Alexis Minotis

Joseph

Wally Brown

Mr. Hopkins

CM

Charles Mendl

Commodore

RC

Ricardo Costa

Dr. Barbosa

EK

E.A. Krumschmidt

Hupka

Fay Baker

Ethel

BB

Bernice Barrett

File Clerk

Bea Benaderet

File Clerk

LM

Lulu Mae Bohrman

Party Guest

CB

Candido Bonsato

Waiter

Ben Hecht

Writer

JT

John Taintor Foote

Writer

Alfred Hitchcock

Writer

Clifford Odets

Writer

आपको ये भी पसंद आ सकते हैं

टिप्पणियाँ

9 टिप्पणियाँ

RaliaoneJul 19, 2024

K_dramaJul 19, 2024

Kofi KinaataJul 19, 2024

Aboubakar SiddickJul 15, 2024

eLeMaWuSi 💎👑Nov 18, 2022

Sheriff🤴🏾Nov 16, 2022

Here is a good example of how Alfred Hitchcock's films are generally way overrated. I say "generally," because of two of his - Psycho and Rear Window - are considered two of his best and are two of my all-time favorites. However, in the 1940s I thought he made a bunch of films that would put an insomniac asleep. This is Exhibit A for that. Cast-wise, it's difficult to imagine not liking a film with Cary Grant, Ingrid Bergman, Claude Rains and Louis Calhern....but this story is just agonizing in its slowness and incredibly stupid in its romance angle. It's hard to picture a better-looking couple than Grant and Bergman in the mid '40s but they can't overcome this tedious script and they don't quite cut it as believable spies. The "suspense" is nonexistent, too, and the plot is preposterous. Just because it's "Hitch" directing, it doesn't mean it's automatically good, especially in the 1940s.

Snit hailemaryam😜Nov 16, 2022

Bergman and Grant are the true romantics of cinema. They move throughout the film as if they were acting naturally toward one another. Hitchcock puts them both in closeups especially the illuminating Bergman, capturing the power of the medium. When Bergman says "Oh, you love me-you love me" in that wonderful close up I have to think to myself, how much I look forward to becoming a film maker. Why can't Hollywood capture moments like these in today's features? Note how long the kiss lasts as Bergman and Grant move from the balcony to the living room. The lighting and camera positioning are phenomenal. Do not expect the typical Hitchcock here but then again it is hard to say what a typical Hitchcock is. Each of his films contain so many different elements yet, at the same time possess the true signature of an auteur.

_JuKu_Nov 16, 2022

Notorious is absolutely one of Hitchcock's best films. The suspense sneaks up on you, and I found myself on the edge of my seat. Cary Grant is in love with Ingrid Bergman, (but who wouldn't be) caught in a triangle of love, deceit and lies. They both shine as the super stars they are in this meticulously filmed masterpiece. Hitchcock's hand is all over this film. And as is usual for the master, he never misses a beat, never puts in a sloppy scene, and sees it all in his mind's eye (and on paper) before committing it to film. This is why he is The Master of his craft. Bergman is at her lovely best, that sometimes smiling, sometimes pouty mouth, that cute nose, and those stupendously beautiful eyes. This film, which I've just seen for the first time (why, oh why, did I wait so long?) is up there, near the top, I have to see it again and again.

Liako LebakengNov 16, 2022

As a young woman, back in the "olden days" days before video, DVD and TCM, I was always fascinated by this film, though it came and went on more obscure T.V. channels, with no clue of when it would return. Notorious has everything...inimitable Hitchcock moments, mystery, suspense, personal drama, high romance, passion, great character development, international espionage, nuanced acting, a visually stunning foreign locale, post-war period mystique, patriotism, fine supporting cast, a charmingly evil Claude Rains, a most sinister Mme. Konstantin, Grant at his most enigmatic and romantic, and Bergman her most alluring and luminous. As in all great films, it is a spot-on rendering of its own unique story in the ambiance of its own time, but timeless in its portrayal of human character and emotion. Like a handful of others, it is as satisfying a movie experience now as it was 40 years ago...probably more so...whether on first viewing or 40th.

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