KatatakutanTaon2020Tagal1h 35mIMDb4.4

Reunion

KatatakutanMisteryoThriller

A pregnant woman returns to her recently-deceased grandparents' old family home to spend time with her estranged mother. What begins as a tenuous reunion slowly turns terrifying.

Panoorin Ngayon

Trailer

Cast

Jake Mahaffy

Director

Julia Ormond

Ivy

Emma Draper

Ellie

Cohen Holloway

Gus

Ava Keane

Cara

Gina Laverty

Young Ellie

John Bach

Jack

Dra McKay

Shirley

Patricia Wilson

Grandmother

Nancy Brunning

Kathy

Tim van Dammen

Writer

Jake Mahaffy

Writer

Mga Komento

10 Mga Komento

nandi_madidaMay 30, 2023

PITORI MARADONA.May 29, 2023

source: Reunion

Réythã Thëè BåddêßtMar 29, 2023

source: Reunion

VinesMar 29, 2023

Below average slow burn horror. Not terrible, just not good. The writer is clearly "in the know" so to speak. Watch out for hidden messages throughout the movie. I see you Jake Mahaffy.

la meuf de tiktokMar 29, 2023

The snails pace and lack of coherent plot made this movie unwatchable.

Yeng ConstantinoMar 29, 2023

The film has a little too much mind bend for me to stick closely to the plot. Then it was all a bit to murky plotting for me to watch it closely enough as I didn't care as everyone was miserable. Then the story unfolded more clearly, leaving me somehow more confused. So didn't care.

HaddaeLeah MéthiMar 29, 2023

I've seen better bad family dramas masquerading as thrillers on Lifetime. Dysfunctional family, buried secret, obvious "twists"... nothing new to see here and nothing old done well.

PenaMar 29, 2023

I rated it 1 cause there is no zero. Like really where is the story? And why it was so slow like u feel bored so quickly And the two men did not do anything or add something.

Minan DésiréMar 29, 2023

A disjointed story, a mish-mash of 4 characters , 2 of whom are completely undevelopped (the father and the childhood friend). One of those inane movies that make you say WTF! At the end, as you resent the waste of time, and are immediately forgotten because there's nothing to them.

LawdPorry Mar 29, 2023

Clearly the goal here was to get someone to call it "arthouse" (a term I despise because it implies not all movies are art) and like so many before it, takes some ideas that sound fine on paper but collapses under the weight of its own ambition. Major Persona and Eraserhead vibes: the former in the way that the visualization was pretentiously permitted to eclipse the subject in a way that was comedic (the screen warps likes its a well used VHS). The latter in how the line between dreams and reality are (admittedly quite admirably) blurred along a theme of maternity. This theme is fact is really used to beat you over the head, I thought the intermittent slides and lectures ultimately added nothing and where just the writers' lazy way to try and push their own obsessions onto a story that really wasn't made to convey them. There is a smart story here somewhere. While the main focus is on a family visit that totally reminds us why we don't go home for Christmas anymore, flashbacks gradually piece together a much more intriguing story of sororal jealousy and parental manipulation. Often melodramatic and sometimes even soapy, I want to give credit to an audacious attempt to not just be another paint by number family drama or teen scream. It tries to sort of have elements of both but even the passion clearly put into this work was not enough. Fascinating in its own way just as much for what doesn't work for what does, I suspect if you saw it with someone you could talk about it for a while.

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