RUNNING WILD (Paramount, 1927), directed by Gregory LaCava, may sound more like a sports story about a marathon race, but regardless of its title, it's a silent comedy starring W.C. Fields (sporting mustache) playing a timid husband and his attempt in trying to win some respect from both his family and co-workers.
Opening title: "There's one inventor who should have been boiled in oil." The story begins as the alarm clock awakens Elmer Finch (W.C. Fields) for a new day that's about to begin. Inter-titles introduce the individual characters in question: "Elmer Finch was a timid soul - he had been married twice"; "Elmer's daughter, Mary (Mary Brian), was all he had to remind him of his happy first marriage"; "Elmer's first mistake was his second wife" (Marie Shotwell). " "Elmer had a stepson (Barney Raskle) also - but that wasn't Elmer's fault." There is also a family dog, Rex, who sic's Elmer at Junior's command. Elmer is a billing clerk working at a toy factory for twenty years without ever receiving a raise in salary. His employer, D.W. Harvey (Frederick Burton) happens to have a son, Dave (Claude Buchanan), who love's Elmer's daughter, Mary. Because his wife and loafing brother-in-law take advantage of Elmer, Mary, unable to obtain a new dress for the upcoming ball, tells off her father by saying he doesn't deserve any respect. Though he knows that, hearing it from Mary is enough to hurt his poor ego. While at work, Elmer tries to make a good impression by passing himself off as sales manager when Henry Johnson (J. Moy Bennett), an important buyer for the company, arrives, only to have everything go wrong. Unable to collect payment from the tough Amos Barker (Frank Evans), Mr. Harvey sends Elmer out to get it, but seeing what Barker has done to the other collectors makes Elmer resist. Elmer's inferiority complex starts to change after attending a vaudeville show when Elmer becomes the subject to Arvo (Edward Roseman), a hypnotist, who changes him from weakling to a roaring "lion."
An extremely amusing WC Fields comedy with overly familiar pattern carried over to some of his classic sound comedies of the 1930s. While some of them were actually remade with Fields in the 1930s, RUNNING WILD is actually an original premise. Some sources claim RUNNING WILD to have been remade as THE MAN ON THE FLYING TRAPEZE (1935), but it's not. The only similarities between the two movies are that they both feature Mary Brian as Fields' loving daughter, and that Fields' character, Ambrose Wolfinger, happens to be a henpecked husband in a second marriage bossed by a domineering wife (Kathleen Howard) who pampers her lazy good-for-nothing adult son (Grady Sutton). The second half of the "Trapeze" comedy focuses on Ambrose's attempt to get a day off from work to attend the wrestling matches while RUNNING WILD shifts timid husband to a forceful hypnotized individual after returning home. The results are not only well constructed but deserving.
As much as Fields' was a comedian equipped best for sound comedies, his silent ones initially failed to compete with contemporaries as Charlie Chaplin or Buster Keaton, yet, Fields, younger and thinner from his later efforts, holds his own here, even to a point of arousing sympathy through his sadden reaction regarding his lack of respect from his family. Mary Brian proves ideal as the sympathetic daughter, an actress Fields would use again in his other silent comedy, TWO FLAMING YOUTHS (1927).
While some Fields' silent comedies have been lost to future generations, RUNNING WILD fortunately survives intact, even to a point of its distribution to video cassette in 1992 equipped with excellent Gaylord Carter organ scoring accompaniment. To date, RUNNING WILD has never been released to television.
RUNNING WILD should be an enjoyable 68 minutes for fans of Fields or silent comedies such as this one, a rarely seen product that deserve recognition and discovery today. (***)
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