CrimeAnnée1955Durée1h 36mIMDb6.7

La police était au rendez-vous

CrimeDrameFilm-Noir

The emotional story of a lifelong friendship between a Boston rookie cop and a young street-wise delinquent.

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Bande-annonce

Casting

Joseph Pevney

Director

Tony Curtis

Jerry Florea

George Nader

Edward Gallagher

Julie Adams

Ellen Gallagher

Jay C. Flippen

Vincent Concannon

Jay C. Flippen

Narrator

Sal Mineo

Jerry Florea - as a Boy

Jan Merlin

Andy Norris

RC

Richard Castle

Skids Radzevich

William Murphy

Red Flanagan

KC

Kendall Clark

Sanborn

Don Keefer

Sherman

Harry Bartell

Father Bonelli

Tito Vuolo

Angie

GA

Gina Aguglia

Mrs. Florea

RA

Ronald Anton

Ted Stewart

PA

Peter Avarmo

Hymie Weiner

JS

John S. Barratt

Driver

Nicky Blair

Clerk

TB

Ted Bliss

Clerk

SB

Sydney Boehm

Writer

JF

Joseph F. Dinneen

Writer

Commentaires

10 commentaires

Roots TubeMay 29, 2023

source: Six Bridges to Cross

Asmi BhandariMay 17, 2023

HCR🌝💛May 15, 2023

source: Six Bridges to Cross

MandemMay 12, 2023

Tight entertaining crime drama about a decades-long relationship between a cop and a criminal, "Six Bridges to Cross" has an engrossing story and a solid cast. While fleeing a petty crime, young Jerry Florea is shot and wounded by Edward Gallagher, a Boston policeman. Florea's injury prevents him from ever having children, and, feeling remorse, Gallagher visits the kid in the hospital, where their bonding begins. However, despite Gallagher's encouragement to reform, Florea continues to mastermind and carry out various crimes, which include one major heist that nets $2.5 million. The excellent cast features Sal Mineo as the tough young Florea, a smart kid and natural leader of his gang of delinquents. Mineo matures into Tony Curtis as the adult delinquent, who invests in a chain of service stations, while he perseveres in crime despite a string of arrests and incarcerations. Intentionally naive to Florea's false promises and duplicitous nature, George Nader as Gallagher is sturdy as the overly patient, overly loyal cop; having made a moral bargain with himself, Gallagher is willing to turn a blind eye in exchange for Florea's inside information on other criminals. As Gallagher's wife, Julie Adams is equally blind to Florea's true nature and assumes that "settling down" will solve everything, a quaint 1950's concept. However, a tough J.C. Flippen as Concannon, Gallagher's superior, appears more objective. Unfortunately, Curtis maintains a smirk throughout that undercuts any credibility in his character's words and any believability that Gallagher could trust him. After a needless and insipid Henry Mancini title song mercifully concludes, the fine black-and-white wide-screen cinematography by William H. Daniels opens on the film's Boston street locations, which include the six bridges of the title. Directed by Joseph Pevney, a contract director at Universal Studios, from a screenplay by Sydney Boehm, "Six Bridges to Cross" is an engrossing well-acted crime drama that features a capable cast. The film's flaws slip by, Curtis's charms are apparent, and two hours pleasantly pass.

Seargio MullerMay 12, 2023

This movie is the fourth film inspired from the famous Brink's facility - depot- in Boston, in the early fifties. It has already been adapted by Jerry Hopper's BLUEPRINT FOR ROBBERY; William Friedkin's BRINK'S JOB; Marvin Chomsky's BRINKS THE GREAT ROBBERY. This one. It is also under the influence of the Warner bros social crime films of the thirties, especially when watching the first part, exploring the youth of some of the opponents. You can think of ANGELS WITH DIRTY FACES or any DEAD END KIDS stuff. This Jo Pevney movie is the less focused on the robbery among the three others. Good cop and gentle gangster friendship, with much moral against criminal life style, as in an old Warner Bros film.

Naeem doryaMay 12, 2023

It's no wonder that teenage girls in the 50s swooned over Tony Curtis. . . His looks, his smile and his charm are captivating. Putting these facts aside, it's a very good film noir, though brightly filmed.

user9383419145485May 12, 2023

"Six Bridges to Cross" is an entertaining crime film, but I have to tell you up front that it didn't always make sense...especially at the end of the film...and that's a bad place for the picture to let down the audience. The film begins with a young punk (Sal Mineo) getting shot by a cop after a break-in. Everyone says that 'the kid will never be able to father any kids'--meaning he must have blown his testicles off with the bullet. But this doesn't make sense for many reasons. First, the kid, Jerry Florea, becomes good friends with the cop who shot him. If someone shot off my testicles, I don't think friendship is something I would seek...even if it was my fault. Also, later in the film the guy is arrested for statutory rape. Am I missing something?!?! Regardless of how illogical the beginning is, years pass and Tony Curtis now plays the older Florea. He and the cop have a strained relationship. Although they've been friends, Florea has not stayed out of crime and now they meet mostly because Florea is a stoolie and the cop's career is blossoming because of all the crimes he solves because Florea has a big mouth. Even this sort of relationship sours over time, as Florea goes in and out of jail his whole life. By the end of the film, the cop is certain that Florea is behind a huge 2.5 million dollar heist...and how Florea comes to take responsibility for the crime is 100% unbelievable in light of the fact that he's a scum- bag. The acting is fine, the script interesting, the script...uneven. Overall, a time passer that SHOULD have and COULD have been a lot better. The ending is very frustrating.

Jeb MeltonMay 12, 2023

Tony Curtis may not have been the greatest of actors (though he did give some great performances), but he was very charismatic and immensely likeable and improved hugely with each film, it was very difficult to dislike him even early in his career. The more mature the film and role actually, the better he was. 'Six Bridges to Cross' for me is one of his better films, if not one of his very best like 'Sweet Smell of Success', which contained the meatiest character of his career, and 'Some Like it Hot'. On paper, it seemed that 'Six Bridges to Cross' would intrigue, entertain and nail-bite. It does all three. It's not quite great, though its good things are many and large in quality, but as an overall whole it's very good and deserves to be wider known. It may be on the talky side at times and the ending agreed does frustrate. Count me in as another person who found that it didn't make much sense or ring true. On the other hand, Curtis gives a performance that is among his better ones, showing that he really delivers when given interesting intelligently-written characters and how in a short space of time how much his acting improved. George Nader is terrific in his role, while Sal Mineo charms in his screen debut, Julie Adams is sympathetic support and Don Kneefer enjoying his weasel-like character. Nader and Curtis have very believable chemistry together. Visually, 'Six Bridges to Cross' is photographed atmospherically, while the direction is assured enough in the early stages and it goes along at a crisp yet not too rushed pace, letting the atmosphere speak for itself. The script mostly is taut and intrigues and entertains, while the story is absorbing and carried by the atmosphere and the chemistry between the cast. In short, very good. 8/10 Bethany Cox

user55358560 binta30May 12, 2023

Six Bridges to Cross is supposed to be based on the famous Brinks Payroll robbery but bears hardly the slightest resemblance to that celebrated case (for one thing the police still don't have a clue as to who the criminals were and they are still at large) which was obviously used purely as a publicity gimmick to sucker the unwary into seeing what is essentially a very, very familiar gangster yarn - in fact it is probably the oldest chestnut in the business and has been used before in scores and scores of much more worthy films than this pretentious little bit of hoke. For all the touting in the Foreword about filming in Boston, there is very little of Boston that gets onto the screen and what there is is so ordinary and un-unique the film might as well have been lensed in downtown Los Angeles. Admittedly, Pevney's direction in the street sequences with Sal Mineo is a shade more inventive than his usual humble standard and the photography has an attractive sheen, but once Curtis comes in, almost everything goes back to so-so! Mind you, there's a bit of routine action excitement, but there's also lots of talk with the stars jadedly going through their usual paces, Nader with furrowed brow, Curtis with winning smile, Jay C. Flippen laying down the law. Julie Adams has so small a part it's impossible to judge, yet the excellent girls playing Maggie the Screwball and Virginia Stewart don't figure in the end credits at all! Production values are very moderate. Pace is fair, but action climax is not much and film is lucky to get 6 out of 10.

Besty_May 12, 2023

This film is a crime drama that traces the strange relationship of a street smart hoodlum (Tony Curtis) with a straight arrow cop over 20 years. The film starts out with Sal Mineo playing adolescent hoodlum Jerry Florea in 1933, robbing street vendors of fruit with his gang and doing some nighttime breaking and entering. It is fleeing after one of these nighttime burglaries when Florea is shot by rookie cop Edward Gallagher (George Nader). Ed thought he shot an adult, and is upset when he realizes he shot a kid, plus due to his wound Jerry will never be able to have kids of his own. Being that this is during the production code era, that is as detailed as the wound description gets. The community is in an uproar over the shooting of a child, juvenile delinquent or not, but Gallagher manages to keep his job. Gallagher's guilt does cause him to strike up a friendship with Jerry that begins as Jerry is recovering in the hospital. Jerry gives Gallagher tips on crimes that help his career, and Ed tries to befriend the boy and point him in the right direction, only to be let down time and again. Both Curtis and Mineo were great in this. They really do seem to be playing the exact same character at different ages. As adult Jerry Florea, Curtis flashes that charming smile of his and plays the lying sociopath so well that even an audience should have a hard time determining when he is conscientious and when he is not. Florea can be violent when he needs to be, but mainly thieving and its thrill are his game. He doesn't even seem to enjoy the actual fruit of his theft that much. An interesting piece of trivia - Sammy Davis Jr. sings the film's theme song. It was in route to the recording studio to sing this song that he had the car accident that caused him to lose an eye.

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