ComédieAnnée1954Durée1h 38mIMDb6.4

Suzanne découche

ComédieDrameRomance

A Hollywood screenwriter takes in a runaway girl who's more woman than he can handle.

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Bande-annonce

Casting

DP

Dick Powell

Mark Christopher

Debbie Reynolds

Susan Beaurgard Landis

Anne Francis

Isabella Alexander

Glenda Farrell

Maude Snodgrass

Alvy Moore

Virgil - Mark's Gofer

Horace McMahon

Sergeant Monty Maizel

Herb Vigran

Sergeant Sam Hanlon

Les Tremayne

Harvey Butterworth - Mark's Lawyer

Mara Lane

Marilyn - Mark's Neighbor

Rita Johnson

Dr. Rawley - Harvey's Shrink

Maidie Norman

Georgette - Mark's Maid

Lela Bliss

Woman in Elevator

Daws Butler

Actor on TV

Ken Carpenter

Oscar Narrator

Ellen Corby

Coffee Shop Waitress

June Foray

Actress on TV

RG

Rudy Germane

Nightclub Patron

Art Gilmore

The Oscar

Commentaires

10 commentaires

Ahmed ElshaafiMay 29, 2023

source: Susan Slept Here

Siphesihle NdabaNov 16, 2022

Susan Slept Here

arielleNov 16, 2022

Claiming to be 35 years old (but looking more like 55), frothy "Oscar"-winning comedy writer Dick Powell (as Mark Christopher) is startled by a Christmas Eve present - it's nubile 17-year-old Debbie Reynolds (as Susan Landis). Nice to know this sort of thing can happen in Hollywood. As it turns out, vice police are responding to Mr. Powell's desire to write a dramatic story about teenage delinquency. Recently picked up with alcohol and a sailor, Ms. Reynolds is delivered to provide Powell with material for his story. Besides, the police don't want to arrest Reynolds on Christmas. Strange as it may sound, this Technicolor film unashamedly plays out as a leering countdown to sex between the older writer and his underage ward. **** Susan Slept Here (7/14/54) Frank Tashlin ~ Dick Powell, Debbie Reynolds, Anne Francis, Alvy Moore

PRINCE CHARMING 🌎❤️💦Nov 16, 2022

A ridiculous comedy given an arms-flailing direction. I love one of the comments here: "Couldn't be made today". Well, neither could "The Philadelphia Story" without a car chase or two. Nonetheless, does that mean the picture is worse for the wear for being old-fashioned? I don't think "Susan Slept Here" was good for any generation and it should fester peacefully in the memories of Debbie Reynolds-buffs. There is no sparkle in this story of a screenwriter who latches onto a much-younger girl for 'script research'. Dick Powell makes his farewell screen appearance in what must have been an embarrassment to him. Reynolds is pallid. Produced by one Harriet Parsons--who gives her famous mother Louella a number of inane plugs. *1/2 from ****

Ashu HabeshaNov 16, 2022

In the movie DR is 17 and DP is supposedly about 35 (but looks 55). So he agrees to watch her over Christmas for 2 cops.. (ok suspend disbelief)... he's reminded she's underage. It starts out more like father daughter stuff then she falls for him. In an effort to make his fiancé Ann Francis jealous and get some good writing material they marry. This is when I hit pause to look up DR real age which is 22. I felt a bit creeped out if she was really 17. Glenda Farrell plays the old lady which is ironic since she's closer to Dick Powell's age. Anyway the acting is good and DR is adorable. I won't give too much away but it's not for everyone.

JulesNov 16, 2022

SUSAN SLEPT HERE is a cute comedy about a Hollywood scriptwriter Mark Christopher(Dick Powell), a former Oscar winner, having trouble scripting another smash. His hardworking typist Maude(Glenda Farrell)is about to her wits end as well. Christopher has had an idea of writing a script about juvenile delinquency and on Christmas Eve he is given custody of a spunky 18 year old troubled teen off the street...Susan Landis(Debby Reynolds). This is really not appreciated by Mark's gofer Virgil(Alvy Moore)and his fiancé Isabella(Anne Francis)is in a slow boil with the lid ready blow. The situation is all quit innocent until it seems Mark decides to marry the young girl to keep her out of jail. Now he really has material for a new script. Also in the cast: Horace McMahon, Herb Vigran, Les Tremayne and Maidie Norman.

user169561891565Nov 16, 2022

Yet another Frank Tashlin (a former cartoonist) farce, set in LA on Christmas Eve with juvenile delinquent Debbie Reynolds (as perky and as cute as ever) consigned to old Oscar-winner Dick Powell--with the late Alvy Moore as his kookie sidekick, Virgil. Dated now with early 1950s song and look (dig that crazy sports car Powell drives), "real nervous" dialogue, etc. but something still comfy and fun about it--especially to watch on Christmas Eve. Look for great cameo at end by Red Skelton. Oh yes, and *I* like dill pickles and peanut butter!!

LesDegameursofficielsNov 16, 2022

I love the apartment in this movie. It is so fifties, in a very good way. The song is good too. This is a cozy movie to watch anytime. Debbie Reynolds is cute and funny, the dialogue is witty, and even the kind of creepy age gap thing has its charm! I've seen this a few times on turner classics, but missed taping it. I would highly recommend this to anyone who enjoys stylish witty comedies with a twist of the surreal.

LuzetteLuzette1Nov 16, 2022

The plot of this movie was a bit silly even when it came out in 1954. But because it features Debbie Reynolds at age 22 (playing a 17 year old) -- when she was very beautiful, vibrant, and also quite sexy -- it's one of my favorite films. Everyone seems to concede that the young Debbie Reynolds was talented and spunky, but because of her girl-next-door persona, few seem to recognize that she had more genuine beauty and sex appeal than many overtly "sultry" or "sexy" actresses of her era -- or, indeed, of any era. The rest of the cast is quite adequate but it's Debbie who makes this movie a lot of fun to watch.

Huda AdilNov 16, 2022

One of the missed opportunities of the era was to have Debbie Reynolds and Dick Powell paired in this very funny and perceptive romantic comedy, but not to make it a musical. That would have given it just that bit of an edge to make it different to hundreds of other movies being churned out with similar plotlines. However, what we have is Reynolds as a teenage delinquent foisted on the well-meaning Powell, a writer, at Christmas. He wants inspiration for his writing, she wants a sugar daddy. Guess how this one ends up? One thing I did especially like were the dream sequences, involving cages and spiders and all kinds of things, in lurid pinks. Where was Tashlin's mind going here? Fun stuff throughout, however, with a sparkling performance from Reynolds.

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