Science-FictionAnnée2020Durée1h 44mIMDb4.1

Tin Can

Science-Fiction

Alors que le monde fait face à une peste mortelle, un parasitologue de première ligne est emprisonné dans une chambre de suspension à vie. Pour s'échapper, elle doit détruire le dernier de son espèce.

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Bande-annonce

Casting

Seth A Smith

Director

Anna Hopkins

Fret

Anna Hopkins

Gold

SM

Simon Mutabazi

John

SM

Simon Mutabazi

Silver - Voice

Michael Ironside

Wayne

Amy Trefry

Darcy

TD

Tim Dunn

Whistler

TD

Tim Dunn

Cobalt - Voice

Chik White

Copper

Chik White

Cobalt

Chik White

Silver - Double

KL

Kristin Langille

Gold

WG

Woodrow Graves

Michael

Sam Vigneault

Ellis

Sam Vigneault

Copper

Sara Campbell

Thumper

GG

George Green

Cop

Shelley Thompson

Newscaster

Shelley Thompson

Vase

Terrance Murray

Joseph

DC

Desiree Couture

Receptionist

Koumbie

Lab Technician

Taylor Olson

Lab Technician

Seth A Smith

Writer

DS

Darcy Spidle

Writer

Commentaires

10 commentaires

user1602663788623May 29, 2023

source: Tin Can

Sandile MahlanguMay 23, 2023

This was all style and zero substance. What is the point of creating something 104 mins long with a story than could've been told in 5-10 minutes? Yes, we get it, co-writer and director Seth A Smith has a creative imagination, and even with a low budget using rubber tubes, red light bulbs and sheet metal can create visually appealing set pieces, but at least add some substance to the horrendously slow pacing and lack of any narrative in your writing. And for what little narrative there was, it was riddled with plot holes, ridiculous context, unconvincing scenarios, and incoherent, long dragged out scenes. Even the dialogue was infantile and gave no reason to care about the characters or there scenarios. There is nothing substantial to hold a viewers attention fort more than 5 minutes at a time, where you'll get bored, and fast-forward to the next long, boring and dragged out scene. Repeat for 104 minutes, with no reward throughout nor at the end. This may have been watchable as a short film, but watching paint dry is more exciting than sitting through this shallow empty story. It's a generous 3/10 from me, all for the decent score and cinematography.

@rajendran sakkananMay 23, 2023

This movie has a funny way of getting into your brain. While the experiences of the characters are not distinctly relatable in the real sense, one can easily get immersed in the circumstance of being trapped, feeling helpless, and having to quickly come to terms with a twisted new reality. With a body horror bend that is enough to make a seasoned horror vet squirm in their seat, this film is sure to find a home in your mind long after the credits roll.

kavya dabrani May 23, 2023

I ended up watching the super disturbing Tin Can on a whim; drawn in by the artwork and thinking it might be a good claustrophobic sci-fi thriller like Meander (2020). Outside of the parrallels of a woman confined to a small area for a period of time, this couldn't be further from the aforementioned film and is an entirely different beast. Canadian director Seth Smith previously made the excellent indie horror The Crescent (2017) and this lines up perfectly with that one. The basic plot has a virologist studying a virus that has threatened humanity. As she is on the cusp of a great discovery, she is knocked unconsicious and wakes up in a isolation "prison" area. Smith stages things with great effect and the layered storytelling resulted in a great payoff for me. No spoilers for what happens as the story unfolds, but I will say it is a slow one that features one of the more messed up storylines I've seen in a while. And, given COVID, it is definitely timely (and shocking to find out this was all made pre-pandemic).

ابن الصحراءMay 23, 2023

While there are elements of this film and it's script that have potential, those bits and pieces never come together in any kind of understandable, interesting, or relatable way. It was a relief when the credits started to roll. I found the idea behind the plague and the canisters interesting. These story elements could have woven a compelling plot. This disease plot device was particularly clever. But in the end, the script is a garbled mess. Cinematography, make-up, and set design had moments of genius. But it in the end fails as a cohesive movie. Skip this. Not worth your time unless your a film student that wants to see potential poorly executed.

Youssef AoutoulMay 23, 2023

It was not very good. The story was all over the place to the point where I stopped caring about the characters very quickly & never cared again. The production, acting & direction were fine, but the story was terrible.

user6182085343594May 23, 2023

EmpresselMar 2, 2023

source: Tin Can

فؤاد البيضاويFeb 25, 2023

This was all style and zero substance. What is the point of creating something 104 mins long with a story than could've been told in 5-10 minutes? Yes, we get it, co-writer and director Seth A Smith has a creative imagination, and even with a low budget using rubber tubes, red light bulbs and sheet metal can create visually appealing set pieces, but at least add some substance to the horrendously slow pacing and lack of any narrative in your writing. And for what little narrative there was, it was riddled with plot holes, ridiculous context, unconvincing scenarios, and incoherent, long dragged out scenes. Even the dialogue was infantile and gave no reason to care about the characters or there scenarios. There is nothing substantial to hold a viewers attention fort more than 5 minutes at a time, where you'll get bored, and fast-forward to the next long, boring and dragged out scene. Repeat for 104 minutes, with no reward throughout nor at the end. This may have been watchable as a short film, but watching paint dry is more exciting than sitting through this shallow empty story. It's a generous 3/10 from me, all for the decent score and cinematography.

Ewurakua Yaaba YankeyFeb 25, 2023

I ended up watching the super disturbing Tin Can on a whim; drawn in by the artwork and thinking it might be a good claustrophobic sci-fi thriller like Meander (2020). Outside of the parrallels of a woman confined to a small area for a period of time, this couldn't be further from the aforementioned film and is an entirely different beast. Canadian director Seth Smith previously made the excellent indie horror The Crescent (2017) and this lines up perfectly with that one. The basic plot has a virologist studying a virus that has threatened humanity. As she is on the cusp of a great discovery, she is knocked unconsicious and wakes up in a isolation "prison" area. Smith stages things with great effect and the layered storytelling resulted in a great payoff for me. No spoilers for what happens as the story unfolds, but I will say it is a slow one that features one of the more messed up storylines I've seen in a while. And, given COVID, it is definitely timely (and shocking to find out this was all made pre-pandemic).

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