KomediTahun1991Durasi1h 46mIMDb7.2

Truly Madly Deeply

KomediDramaFantasi

A woman dealing with inconsolable grief over the death of her partner gets another chance when he returns to earth as a ghost.

Tonton Sekarang

Trailer

Pemeran

Anthony Minghella

Director

Juliet Stevenson

Nina

Alan Rickman

Jamie

JH

Jenny Howe

Burge

CC

Carolyn Choa

Translator

Bill Paterson

Sandy

Christopher Rozycki

Titus

Keith Bartlett

Plumber

David Ryall

George

SM

Stella Maris

Maura

Ian Hawkes

Harry

Deborah Findlay

Claire

Vania Vilers

Frenchman

AV

Arturo Venegas

Roberto

Richard Syms

Symonds

Michael Maloney

Mark

Mark Long

Isaac

Teddy Kempner

Freddie

GD

Graeme Du-Fresne

Pierre

Anthony Minghella

Writer

Komentar

10 Komentar

lasizweMar 21, 2026

CookieNov 5, 2025

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Snald SMay 29, 2023

user7800288908923May 29, 2023

source: Truly Madly Deeply

SARZMay 23, 2023

Nina's {Juliet Stevenson} life is torn apart with the unexpected death of her lover, Jamie {Alan Rickman}. Stuck in a rat infested flat and under expensive therapy, Nina's grief is suddenly stopped in its tracks when Jamie comes back into her life as a ghost. Just as Nina meets Mark, a potential suitor. For his first feature film, director and writer Anthony Minghella chose this touching, and often funny, tale of bereavement and learning to love again. Written in the main for Stevenson to showcase her talents, its strengths lie in the actors performances, the sensitive writing and its low key moody production ethic. Often it's been tagged the British answer to the Moore/Swayze movie Ghost. That's a lazy link and a touch misleading, as this is, if anything, the anti blockbuster movie, while the respective plots bear little resemblance. And besides which, this was made quite some time before Patrick and Demi were playing slinky round the pottery wheel. Stevenson is marvellous, she gives Nina real depth, and in one grief stricken scene she delivers one of the most believable enactments of that emotion ever put on to celluloid. Rickman shines as he gets his teeth into something outside of the bad guy roles he was {still is} known for. Watch out for a poem (La Muerta) segment shared between the two, pure class. And as Mark, Michael Maloney is hugely effective in what is the tricky third wheel role. While the impressive acting on show is boosted by Barrington Pheloung's poignant, rhythmic musical score. There are a number of interpretations put forward as to what Truly, Madly, Deeply is about. But really it has to be down to the individual viewer to make their own deductions. What isn't in doubt is that for anyone who been deeply in love or has lost a loved one to death, this film can't fail to ignite a number of emotions. Even as the comedy takes a hold, comedy which sits nicely within the structure of the tale I might add since some critics were baffled by the blend, one just knows we are being guided to a telling point where the story finishes for the protagonists, but goes on for us viewers long after the credits have rolled. To first time viewers I say, banish any hope of Hollywood histrionics and flourishing visuals and let Minghella and his wonderful cast take you by the hand. For the rewards are there for the discerning adult. 9/10

Mohamed HamakiMay 23, 2023

Am I alone in hating this movie? Or is it because I come from the same part of London as these characters? If someone asked me to hop and tell them my life story in 30 seconds, I know what two word answer I'd give them.

sophia 🌹May 23, 2023

Everyone has their own "worse film ever made" and this one has been the top of my list since I saw it way back in about 1992. The first problem with the movie is that none of the characters are particularly affable nor interesting. Juliet Stevenson is both ingratiating and infuriating. You feel like screaming,"get over it, you annoying creature!". Its not that I am devoid of sensitivity but the condescending sentimentality is just so awful. The script is tedious and Stevenson is simply awful. Her annoying mannerisms and cliché interpretation is woeful.Stevenson is in my opinion dreadful in this movie. Alan Rickman does not walk through the film he dawdles.I cannot understand why some think it is better than "Ghost". Ghost was a charming little movie with a delightful performance from Whoopie Goldberg. It tugged at the heart strings but its sentimentality was never as mawkish as this dribble. Rickman is just awful, his performance is shallow and wooden.It is a bad performance by an actor with no screen presence.It is ponderous and boring. I know people liked it but for me it is close to the worse movie of all time. At least some of Ed Wood's movies were so bad they were funny. This is simply bad.

@EmprezzBangura💋May 23, 2023

Oh dear . I'm probably going to upset a lot of middle class middle aged woman by confessing I didn't like this movie at all for several reasons 1 ) I have a very low tolerance level on middle class metropolitan characters in movies . I am by no means a Maoist but I find it difficult to relate to middle class women who have friends with children who can play a cello 2 ) There's a limit on how many times I can watch a character weeping in one movie . If I hadn't disliked her so much I would have worried about Nina losing so much salt from her body due to the amount of tears she cried 3 ) It was bad enough when the movie was drowning in sentiment ( The amount of tears from Nina would have drowned the movie anyway ) but then the movie has a plot twist featuring Alan Rickman's character which made TRULY MADLY DEEPLY silly more than anything else 4 ) This doesn't feel like a cinematic movie . It feels more like a play produced for television which isn't surprising since director Anthony Minghella started out in the theatre then moved onto script editing jobs in television There are one or two good points . Despite playing annoying characters the cast do a fairly good job , and there are some touching moments like the scene where where we think Nina and Sandy are alone : " Nina you're beautiful " " Who's beautiful ? " Only to find out they're surrounded by friends of Nina come to do up the house , though unfortunately as I said the film's attempts to touch the audience this way quickly becomes overkill . This movie also deserves some credit of only costing 700,000 dollars a sum it made into a profit several times over to become the most successful British production that year , so thanks for keeping the British film industry going But at the end of the day TRULY MADLY DEEPLY is a mawkish chick flick and will probably only be remembered as Anthony Minghella's debut as director

Joseph AttiehMay 23, 2023

I had no idea it was going to be as good as it was. The two leads, Stephenson and Rickman, produce such a quality together that it flowed very nicely and I did not want it to end there. Overall, spirit movies have their own presence and I hate to say this, unbelievability. However, this movie was different in that Rickman's "Jamie" was so believable. It's probably because it was Rickman, who is by far a great spirit, in my opinion. It was very poignant in bring about the message to leave the past as past, and live for the present. Grief brings out a reflection of past and how sometimes we could have made things different. This was more of an embrace on living life to it's fullest, while you still have it. Minghella is an artist! Truly, the ghosts were fantastic!! It added more to Jamie's plea for Nina to experience life again without him - he had his life, and she needed hers in her world.

arcoiris🌈May 23, 2023

Writer-director Anthony Minghella is best known for rather large-budget literary film adaptations such as "The English Patient," (which garnered the Best Director Oscar) and "The Talented Mr. Ripley." That is all the more reason to check out his first effort behind the camera. Originally produced for BBC television, "Truly Madly Deeply" genuinely demonstrates Minghella's meticulous touch with character relationships. Juliet Stevenson is Nina, a translator who hasn't quite gotten over the untimely death of her cellist husband Jamie, played by Alan Rickman (who have an exquisitely natural rapport). Nina hears his voice at night -- but then he begins to appear during the day, as well. Soon, Jamie is around all the time, and, while comforting for Nina, her euphoria soon wears off, once she realizes that he is, in fact, truly gone. Minghella distinguishes this "otherworldly" situation intellectually. While films such as "Ghost" appeal to the masses with its sappy sentimentalism, this film addresses the reality of the situation. From Nina's withdrawal after one of the most gut-wrenching grieving scenes ever at her therapist's office, to Jamie's "reappearance" and the prospect of living with a ghost and the socio-economic relevance of Latin American immigrants in London the film is far more realistic than any of its kind. Juliet Stevenson's intelligent, vulnerable performance is quite powerful and Alan Rickman's divine rendering of the cello-playing ghost, Jamie are simply unparalleled. Anyone who has lost a love to an untimely death will surely relate to this film. The addition of Jamie's various new ghost pals is a delightful comic relief and the new love interest character is a useful metaphor that guides her on the journey of letting go of the past and onto the future, which, when you think about it, is actually very profound. It is Minghella's skillful rendering of this material with all of its nuances, that, while fanciful, does not seem contrived, and differentiates it as a one of a kind film of its type.

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