DrameAnnée1967Durée1h 51mIMDb7.4

Blow-Up

DrameMystèreThriller

Un photographe londonien tendance trouve des indices étranges dans les photos qu'il a prises d'une belle femme mystérieuse dans un parc désert.

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Bande-annonce

Casting

Michelangelo Antonioni

Director

David Hemmings

Thomas

Vanessa Redgrave

Jane

Sarah Miles

Patricia

John Castle

Bill

Jane Birkin

The Blonde

Gillian Hills

The Brunette

Peter Bowles

Ron

Veruschka von Lehndorff

Verushka

Julian Chagrin

Mime

CC

Claude Chagrin

Mime

Jeff Beck

Self - The Yardbirds

RB

Roy Beck

Boy dancing In Ricki Tick Club

CB

Charlie Bird

Homeless Man

Susan Brodrick

Antique shop owner

RB

Robin Burns

Homeless Man

Tsai Chin

Thomas's receptionist

Julio Cortázar

Homeless Man

Chris Dreja

Self - The Yardbirds

Michelangelo Antonioni

Writer

Julio Cortázar

Writer

Tonino Guerra

Writer

Edward Bond

Writer

Commentaires

8 commentaires

happy_family_🇦🇪🇲🇦🇪🇸🇸🇦Mar 31, 2025

The 1966 film "Blowup" (or "Blow Up" or "Blow-up") has been categorized as a postmodern film for it's themes and message. It attempts to depict a world without meaning. The evidences for this conclusion are the characters in the film: self-serving, self-interested, lustful men and women who decide that there is nothing more meaningful than living life for one's self. Sex, drugs, murder are all among the pursuits of the individuals in the film. The main character, a famous fashion photographer, becomes dissolusioned when he comes to this conclusion. A problem with the film is its attempt to manipulate its audience in believing this lie. Attempting to create meaning by creating a void of meaning is ridiculousness. The falsehood of such messages should be self-evident to the audience. It illustrates the saying, "Confessing to be wise, they became fools. . ." Don't waste your time with this one.

Danfy♡deeh🌻Jul 15, 2024

aïchou MalikaMay 29, 2023

source: Blow-Up

Aliou-1erNov 18, 2022

GoyaMenorNov 16, 2022

Blow-Up

CamïlaRossïnaNov 16, 2022

This, along with L'Eclisse, is one of the two best Antonioni movies. It is very different from his earlier films in that it is much less overtly intellectual and is purportedly a thriller. However, it is no more a standard thriller than is The Cabinet of Dr. Caligari. Instead, it is an examination of reality and illusion and an exploration of what distinguishes the one from the other. The movie has an exceptional lyrical quality to it, which of course is also not associated with thrillers. The color is gorgeous and Vanessa Redgrave is a total surprise. I have generally not found anything appealing about her, but in this movie, master-magician Antonioni transformed her into a ravishing beauty. Sarah Miles is also very sexy as the next-door neighbor. Young Jane Birkin plays a groupie who gets to roll around * in the photographer's backdrop paper. As in L'Eclisse, the final scene is stunningly poetic.

Tariq azmiNov 16, 2022

I know, I know: Antonioni is one of the most respected and skilled filmmakers of Italy. But Blow-Up was a tremendous letdown for me. I found the film boring and the set of characters uninteresting. The only fun I had in watching this film, was stepping in some sort of time capsule to sixties London. A time when the capital of England truly was the capital of the world.

user7630992412592Nov 16, 2022

I only had one reason to check out this film, actually...Michelangelo Antonioni's career (and Blowup in particular) heavily influenced the directing skills of Dario Argento, who's one of MY favorites. Argento copied multiple of Antonioni's trademarks for his own giallo-masterpiece Profondo Rosso and he even cast David Hemmings for the leading role as well! Now, it WAS interesting to see the resemblances in style but that's about it. This whole film is pretty tedious, with only a few moments of brilliancy and excitement. It's supposed to portray a mystery...but you're never involved enough to care. All that remains is a decent acting performance by David Hemmings, a few interesting appearances by Jane Birkin (singer of the French classic: Je T'aime moi non plus) and a stunning photography. Not enough to keep you awake for 110 minutes, unfortunately....

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