ComédieAnnée1987Durée1h 50mIMDb5.0

Les vrais durs ne dansent pas

ComédieCrimeDrame

Writer, ex-con and 40-something bottle-baby Tim Madden, who is prone to black-outs, awakens from a two-week bender to discover a pool of blood in his car.

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Bande-annonce

Casting

Norman Mailer

Director

Ryan O'Neal

Tim Madden

Isabella Rossellini

Madeleine

Debra Stipe

Patty

Wings Hauser

Alvin

John Bedford Lloyd

Wardley

Lawrence Tierney

Dougy

Penn Jillette

Big Stoop

Frances Fisher

Jessica

RP

R. Patrick Sullivan

Lonnie

John Snyder

Spider

Stephan Morrow

Stoodie

Clarence Williams III

Bolo

KS

Kathryn Sanders

Beth

IL

Ira Lewis

Merwyn Finney

Ed Setrakian

Lawyer

JF

Jodi Faith Cahn

Rhonda

EB

Edward Bonetti

Old Cellmate

Joel Meyerowitz

Second Cellmate

Norman Mailer

Writer

Robert Towne

Writer

Commentaires

8 commentaires

user7164193544460May 29, 2023

source: Tough Guys Don't Dance

chancelviembidiNov 18, 2022

MinnieDlaminiNov 16, 2022

Tough Guys Don't Dance

users PinkyPriscy 👸Nov 16, 2022

When I saw who had directed it, I was surprised. When I saw Coppola had produced it, I was surprised. After I saw the movie I wasn't at all surprised that Golan Globus had distributed it. Nobody else would touch it. It stinks. The acting is so over the top I had to wonder if it were trying to be a parody of itself. Badalamenti who wrote so many great scores, scored a complete zero on this one, unless he felt the only hope was to go for the laugh factor. And the "acting." The only one who has a clue, and he is fine, is Tierney. O'neal is O'terrible...one of the worst acting jobs I've seen since I was in a high school play. The others, who try so hard to affect Southern accents, sound like cartoon characters. I just kept wondering how bad it could get and when Pomp and Circumstance began to intone as the bodies were dumped into the bay, I knew. Clearly Mailer was inebriated during the whole production, attempting to keep up with the cast.

cote di'voireNov 16, 2022

This is a hard film to stomach.It has a lot of intense,extreme scenes of sex,violence and obscurity.Ryan O'Neal could have done better.Wings Hauser outshines all in his role of sadistic,sex crazy chauvinist police officer.Who at the end turns insane.And thats what he isnt alone in.There are even more obscure characters here,like southern reverend Big Stoop and his "friendly" ex-wife Patty.They create a spiral of sex and intrigues which ends in suicide of the first and death of the other. All in all,a movie every sado-masochist would love to own.For normal people-a torturingly mad 2 hour experience.

Zulu MkhathiniNov 16, 2022

I always quote this as one of my two favorite movies (the other being "The Ninth Configuration"). Like that film, it's unpolished, awkward and brilliant. Ryan O'Neal, a brilliant empty vessel, as in "Barry Lyndon", is the perfect receptical for Mailer's essentially passive protagonist. Grotesque, awkwardly paced and fascinating, this should be considered manditory viewing. Mailer's hand is so heavy and the film feels so writerly that the experience is play-like and unusual. This exploratory quality is to be hugely prized (see "Kids", "Ninth Configuration", "Safe", "Dancer in the Dark" to see vastly different but equally praiseworthy examples of what can happen when Hollywood outsiders are allowed access to decent budgets and distribution).

STHEMBISO KHOZANov 16, 2022

This was one hell of a ride! I was on board from the get go and eventhough there were some moments I had got a bit lost, I always found my way back. Did I get the plot? Oh, god no! I have some idea but that's not what is important here. This movie is wild, crazy, horny and deranged. Everyone is chewing the scenery so hard that you just can't take your eyes of any given "actor", the directorial choices are mind-boggling, dialogue way over the top and the overall tone is so perplexing. But it so wants to entertain and entertain it does! Loved it!

Ohemaa LimbeeNov 16, 2022

If you view it in the right frame of mind , it is one of the most perversely funny films ever made. Completely over the top. It's hard to see how anyone ever could try to view it as a serious example of film noir. In reality it is an acid-washed satire of the genre. And Lawrence Tierney rocks in anything he does.

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