DramaTahun2002Durasi1h 29mIMDb6.1

Everything Put Together

Drama

The story of a Californian couple expecting a child and their group of friends confronted with the tragedy of a big loss.

Tonton Sekarang

Trailer

Pemeran

Marc Forster

Director

Radha Mitchell

Angie

Megan Mullally

Barbie

Catherine Lloyd Burns

Judith

JH

Jacqueline Heinze

Jean

CW

Courtney Watkins

H2O Instructor

Matt Malloy

Dr. Reiner

Mark Boone Junior

Bill

BR

Blake Rossi

Michael

Louis Ferreira

Russ

Michele Hicks

April

Alan Ruck

Kessel

Stéphanie Schneider

Party Videographer

Vince Vieluf

Jim

JP

John P. Hunter

Hearse Driver

KR

Kevin Ratliffe

Simon

Arly Jover

Nurse Edna

Pamela Gordon

Nurse A

Octavia Spencer

Nurse B

AF

Adam Forgash

Writer

Catherine Lloyd Burns

Writer

Marc Forster

Writer

Komentar

10 Komentar

Amber RayOct 13, 2023

Akram HosnyMay 29, 2023

source: Everything Put Together

gertjohancoetzeeMay 23, 2023

First, A WARNING: If you are pregnant or just had a child, do NOT go see this film. Really. You simply don't need some of these concepts swimming around your mind. Trust me. I found this film depressing without being cathartic. It certainly touches on some complex aspects of the situation in the film, not least of which is the near-primitive rejection of a 'wounded animal' by the herd (in this case a group of new or expectant mothers.) And Radha Mitchell does an excellent, nuanced job of portraying the shifting emotions and fragility of the main character. Justin Louis - looking an awful lot like Aidan Quinn and portraying a similar type of character (amiable, sensitive, manly) - is also quite affecting as the husband struggling helplessly to make things better when almost any move he makes is doomed to be wrong. The other characters, too, are well-cast and well-acted. And the photography is just moody enough to have texture without being distractingly 'pretty'. So, what kept this from being a powerful and ultimately satisfying film (for me)? First of all, the pacing, which was reminiscent of many French or Swedish films. Lots of lingering domestic vignettes, almost documentary like, setting up who these people are, their relationship, their world. It takes a LONG time to get to the central crisis of the film. And once it occurs, there's lots more lingering domestic scenes. All of this is justifiable in a film that focuses on the emotional effects of one incident. But it assumes - rather than compels - a certain complicity on the part of the viewer. More fundamentally though, the fact that the main character seems pre-ordained for SOME kind of catastrophe makes her big reversal seem more inevitable than shocking. It doesn't help that she's portrayed as deeply anxious from the start. So much so that at times this feels like an early Polanski film, preparing us for something really awful. So, when the worse does occur, rather than being shocked, we're almost relieved. Add to this the curious choice to give the protagonist a monstrously remote mother and what would be surprising here would be for her to ever experience unshadowed happiness. She seems at the least fragile, if not quietly but fundamentally disturbed from the start. The result is that some of her more excentric behavior later seems to flow not from the tragedy but simply from what we know of her character. Since none of her girlfriends react with common decency, never mind nobility, about the only truly likeable character we meet is the husband, so that it's far harder to be intimately affected by the central events here. Because it simply seems that even if they had never occured, this would never really have been a very happy world. Still, a good, if not memorable film. Especially for under $500,000. And - a surprising bit of light at the end - some of the most beautiful credits I've seen in a while.

Sagun Ghimiray✨May 23, 2023

Everything is going oh so perfectly in Angie and Russ' lives. They've got a big house, an enduring marriage and a baby on the way. They're insulated from everything awful, yet "Everything Put Together" shows their vulnerability and the transience of their well-being. A sober and skillfully rendered portrait of the American Dream unraveling, "Everything Put Together" is one of the most visually accomplished and emotionally provocative films in the Dramatic Competition at the Sundance Film Festival. No yuppie magazine could find a better poster couple than Russ (Justin Louis) and Angie (Radha Mitchell). They're attractive, intelligent and endearingly supportive of one another. Also, they're blessed with friends who commiserate and compare notes on Angie's pregnancy. All is going well, especially the pregnancy. Everything is wonderfully normal, in no small part due to the fact that Angie is doing all the right things. Yet this oh-so-pretty picture falls apart when merely hours after her baby boy's birth, the child unexpectedly dies from sudden infant death syndrome. It happens, the doctors explain, and nobody knows what causes it or what to do about it. It's a staggering blow to Angie, and even kind, supportive nourishment from her husband does not keep her from sinking into a sharp malaise. Her behavior becomes erratic and frightening to her friends. Indeed, her friends turn out to be the fair-weather variety, and Angie becomes isolated in her torment. A compassionate character portrait of what can happen when tragedy unexpectedly strikes, "Everything Put Together" shows the full strains of one woman's burden and isolation. Poignantly scripted by a triumvirate of writers (Adam Forgash, Catherine Lloyd Burns, Marc Forster), it's a wrenching story of personal loss and overwhelming heartache. Much of the film's power derives from Mitchell's acutely etched performance as the grief-stricken mother, a woman who has always relied on the security of her blessed and well-ordered world. Plaudits to Louis for his compact portrayal of Angie's well-meaning husband, conveying the quiet strength of a man forced to walk on eggs. Everything works in "Everything Put Together," a testament to the sophistication and skills of director Marc Forster. Under his guiding hand, the technical contributions are alive and vital, telling us as much about the character's suffering and strength as the story itself. In particular, Roberto Schaefer's cinematography is a masterwork of telling compositions: His framings, some askew and some straight on, point us to the fullest story dimensions and character depths.

HeavytripMay 23, 2023

Generally I enjoy the independent/Sundance/artistic license type movies. I also like Radha Mitchell and hope she gets more and better movie roles in her career. Overall, however, I thought this movie came up short. I can scarcely imagine a mother as distant and unaffected as the lead character's mother. My own mother would have immediately attached herself to my side if I were in Angie's shoes. Also, her circle of friends and their self-centeredness seemed a bit overdone. I am as cynical of mankind's charitable nature as the next, but even I believe most `friends' have much more compassion and common sensibilities in dealing with a friend that just lost her baby than was portrayed by Angie's friends, who came across as unintelligent and shallow. Also, from the beginning, I believe the average couple would have enlisted the help of group or solo therapy to deal with such a horrific loss. The husband may have `been there' for her but he provided no source for a solution to his wife's angst. He should have encouraged her to seek professional therapy rather than popping for a trip to Aruba as the cure all. It is still an interesting film to watch if you assume for a moment that you live in the cold, heartless, `stereotypical' world of easily detachable people. Again, I see Radha Mitchell as a very compelling actress to watch. Thanks.

Zamani Mbatha 🇿🇦May 23, 2023

It seems the in thing now-a-days to laud the incompetent, the amateurish and the arty, especially in films. If the acting deserves quotation marks around it and consists of people aimlessly moving about the screen, it is subtly intelligent! If the dialog (script?) (delivered in such a way that trucks could be run through it)is puerile and flat with an irritatingly improvised quality, it is brilliant. The more soporific the pace, the deeper (or loftier) the film. The more long and needless tracking shots(which take up most of the running time), the more enduring the masterpiece. The artier the editing, the more original the movie. The more inept and slipshod the direction,the more profound the director. I really cannot believe the praise heaped on this dilettantish piece of trash by a disquieting number of IMDb's commentators who seem to be so gaga over the subject that they ignore its treatment and do not seem to mind being put to sleep or tortured. One of IMDb's commentators states that the film is fine, but difficult to watch! If it is difficult to watch, how can it be a fine film? And speaking of subject matter and to make matters worse, several IMDb commentators indicate that pregnant women should not watch this film (or this is not a film for the pregnant), a generality (i.e., all pregnant women are alike) on an intelligence level with this movie.

Mekita_ta_taMay 23, 2023

the previous reviewer commented that people didn't act like this in real life--first of all, it is meant to be a slight parody; second, people DO act like this. i thought the movie was a fascinating examination of the kind of mindset that prefers to keep everything in its place--"put together", you might say--and doesn't know what to do when a round peg suddenly becomes square.

Bini DMay 23, 2023

Marc Foster's "Everything Put Together" reminds me slightly of Henry Jaglom's 1994 "Babyfever". Both tell of women as friends and mothers to be, the joy and gaiety while looking forward to the arrival of a baby. But there's a drastic difference between the two: Foster's film went beyond the point of 'entertainment.' It's raising the consciousness to the tragedy and pains of parents losing their newborn to SIDS. Sudden Infant Death Syndrome (SIDS) - a cause unknown event that may not happen to one's life until the circumstance unexpectedly presents itself. This film has a similar flavor to the Indie 2000 "George Washington" (w-d: David Gordon Green) - small film, down to earth people, casual feel camerawork with creative angles/effects applied. The subject matter is not your Hollywood safe theme but one that does need to be told and to prompt the awareness of the masses in like situations. Besides the fact that Marc Foster directed the upcoming due for wide release "Monster's Ball," the name Radha Mitchell drew me to this film. I appreciate her exceptional performance as Syd opposite Ally Sheedy in Lisa Cholodenko's "High Art" 1998. I like the paired energy of Mitchell and Vin Diesel in the 2000 sci-fi "Pitch Black" even though the storyline was slim. It's heart-warming to see her support as one of the producers of this Indie film. Yes, not much publicity - I saw the film with only a handful few on the Friday of its one-week limited release in SF at the Landmark's. Mitchell gave an impressive controlled performance as Angie, a new mother who so very suddenly lost her newborn. It was hauntingly forlorn seeing her at a lost and how the cheery circle of friends, of pregnant women and new mothers, disappears so quickly into nothingness. This is not "Amélie" fantasyland, this is personal emotions cruelly real. It's reaching out and touching no one. Justin Louis as husband Russ is barely the only support, hardly her emotional crutch. The ambient sound effects and the music by Thomas Koppel enhance the camerawork. The story is hard medicine - uneasy to swallow (that we could possibly be reacting just like Angie's friends and neighbors, having the same fears and callous behaviors; that hospital medical staff attitudes can be insensitive to patients' unfortunate situations...) - such incisive insights! The length of the film is 1 hr. 27 mins. However, when the end seems inevitable, I felt I don't want it to end just yet - wanted to go on a bit more beyond the very Swiss screen approach we see I hope it did not result from under social pressures to please or conformwould like to think that she and Russ did came through and that her grief over baby Gabriel has grown into selective pleasant memories and renewed outlook. Definitely a worthwhile film to appreciate. Thank you to the people and efforts in the production of this film.

Titumeni Titu ChirwaMay 23, 2023

Angie (Radha Mitchell) is pregnant and is having course with her friends, Barbie (Megan Mullally) and Judith (Catherine Lloyd Burns), who are also pregnant. Her husband is in love with her, and they both are preparing carefully the baby's room. Her mother is a busy woman living in another town and does not pay much attention to her. On the delivery, Angie has a beautiful and perfect son, Gabriel, who dies less than twenty-four hours after of `sudden death', without any apparent reason. This is the beginning of Angie´s journey to hell, with the loss not only of the baby, but also of her shallow friendships. This sad movie is very well directed by Marc Foster. All the cast has a great performance, but Radha Mitchell is magnificent. Forbidden for pregnant women. My vote is seven.

Jucie HMay 23, 2023

"Everything Put Together" would be a really great movie....on another planet. Good on execution and implausible on story, this serious little indie drama tells of a woman who is ostracized when her baby dies from SIDS. Of course no one behaves like the characters in this flick which sinks the credibility and makes the buy-in all but impossible. Just more flotsam on cable which may have some token entertainment value for the needy sofa spud. (C)

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