DokumenterTahun2022Durasi1h 26mIMDb7.4

In the Court of the Crimson King: King Crimson at 50

DokumenterMusik

What began as a straightforward documentary about the cult rock band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives. But with jokes.

Tonton Sekarang

Trailer

Pemeran

Toby Amies

Director

Robert Fripp

Self

BB

Biff Blumfumgagnge

Self, Robert Fripp's Guitar Technician

BR

Bill Rieflin

Self

Bill Bruford

Self

TG

Trey Gunn

Self

IM

Ian McDonald

Self

MG

Michael Giles

Self

Adrian Belew

Self

JS

Jeremy Stacey

Self

Jakko M. Jakszyk

Self

TL

Tony Levin

Self

DJ

Django Jakszyk

self, Jakko M. Jakszyk's son

PS

Paul Stratford

Self, stage technician for King Crimson

Mel Collins

Self

Greg Lake

Self

King Crimson

Themselves

PM

Pat Mastelotto

Self

DB

Dana Benedicta

self, Sister from Notre-Dame de Grâce, Oslo

Toby Amies

Writer

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Komentar

10 Komentar

Christ ActivistMay 29, 2023

source: In the Court of the Crimson King: King Crimson at 50

K A M Y N AMay 23, 2023

What was that, that I just saw?? Incredible, but it is, yeah, as a fan of King Crimson´s music since 1969 I was expecting to watch something interesting. But I found a boring documentary that explores the day after day routine following the band into tour. When an interview is taking place with some members of the group that is not Robert Fripp, here He comes to tell something to the camera. He has no repect for other members. That makes me angry and it is very unpleasant to watch. There is no history from the band, there are no interesting interviews; it is finally a mess where You can see that Fripp is the one in charge. I love their music but this is not a documentary telling the chronicles of diffrent band formations between more than 50 years. 4 stars out of 10.

36 🐵𝗹 𝗺 𝗳 𝗿 𝘄 𝗲 7May 23, 2023

I'm a King Crimson fan but I'm also a documentary film fan, and I was wondering exactly what this film would be like. We hardly need a sober, sensible, narrative history of the band because there are already enough of them, and sure enough, this film doesn't offer one--to the considerable annoyance of one of the other reviewers. What Toby Amies has come up with is a film which is in large part about his effort to make a film about King Crimson. There's no attempt to gloss over the difficulties: Robert Fripp has said many times in print and in person that King Crimson has a kind of existence that's independent of any one group of people, and anyone who knows the history of the band will know of the moment in 1969 when half the band told Fripp they were leaving, and he offered to leave himself rather than have the band come to an end, only to be told that the band was more him than them. So there are intangible things about this band (perhaps about any good band) which are hard if not impossible to capture on film. So what use is a documentary about something that only the people involved have first-hand experience of? Well, it illustrates one of Fripp's other often-repeated sayings: that music often chooses unlikely characters to manifest itself. Fripp comes across as extremely focused on getting the music right, and impatient with anything that gets in the way of that: at one point he expresses his annoyance that talking to Amies has taken time away from his guitar practice, with the result that he's just played what he regards as a subpar show. But in interviews with fans and bandmembers, people express appreciation for the music which shows you why people value this band so much. One fan, a nun, says that she likes KC's music so much because it's 'grown-up'. Another cheerfully recalls being hustled out of a KC show in the 90s because he ignored the no-camera rule, and yet here he is over 20 years later, still turning up. One thing that puzzled me on first viewing was the ending, where Amies encounters Fripp in a backstage area and asks him what he missed. Fripp, in his most voice-from-the-mountaintop manner, informs that he missed 'everything'--that there was a 'pivotal scene' in which the band's history and future was presented, but Amies wasn't there, and so the film is a waste of time. He then strides off, with Amies offering a rather meek 'Thanks'. At first I thought that this was Fripp expressing lordly impatience with the whole process, but on a second viewing there's a mischievous twinkle in Fripp's eye that makes me regard this scene as emblematic of Fripp's whole attitude to the project: try as Amies might, he may make an interesting and entertaining film but he'll never get to the heart of the matter. I think Fripp is deliberately trolling Amies in this moment, giving him a suitably slam-bang final scene for the film. I could have done with hearing more from previous members. The focus of the film is very much its final lineup, with the history being sketched in as we go. It's not the film to watch if you want to know more about this band's music and exactly what happened over the years, but it is a vivid portrait of creative people being creative. And to say a film is too short is surely a compliment. Good job, Mr Amies.

user7980524970050May 23, 2023

Honestly, my title says it all. This truly transcends description. It's almost like after seeing this, ANY words just simply are inadequate and anything I try to say about this film and whatever I attempt to articulate would be trite and insufficient. I know this is a VERY unusual review and not at all like any of the others that I have written. But, as I sit here typing this, I genuinely feel incapable of expressing anything even remotely approaching what I just experienced in watching this. I rated it a '9' which is extremely rare for me and speaks for itself. If you like the band (as it was, is, or will be...) then that speaks for itself. And, I WILL say that if you watch this and you come to the moment where Fripp is telling about his meeting with the man who led a certain retreat, well... let's just say that unless you do not have a pulse, you will find it quite unique and unexpected... Obviously, most highly recommended...

#davotsegayeMay 23, 2023

Expected more. Got 86 minutes of self-admiration by Robert Fripp. With all due respect to past glories and incredible musicianship through the years now the band stopped to be innovative. I do not expect them to be after so many years, I respect their legacy and thought the film would show the same level of respect for the music made in past decades. Not the case here, for some reason it is time to shroud everything (actually every bum note) in some mystical and cult nonsense. I know KC was always a cult but when Robert Fripp pontificates non-stop guru nonsense it is really insufferable. He is the core of KC, nobody doubts it, why it should be stressed countless of times, I have no idea. Unfortunately the film does not tell anything about the history of the band and shows absolute disrespect to its former members (all wonderful musicians, a few are not alive anymore), really a pity.

Danaïde/Dana’h ShopMay 23, 2023

Toby Amies has presented us with a documentary about one of the most Marmite-like bands, King Crimson. Don't expect to have a further understanding of the history of the band after you've watched this doc, you'll not get one, just revel in the fact that you've been able to get this close. It won't happen again, not like this anyway. This isn't a doc that cares about the band's history. Revel in the fact that you are given a brief insight into the sheer pants-filling fear that being a member of Crimson, and rehearsing and performing with perfectionists, who are so much in tune with the ethos of King Crimson, that if you put a note out of place, you'll get a spine-tinglingly terrifying glare from Robert Fripp. I expected Fripp to be a preposterous fop, and sometimes he is, but he's also a passionate, hilarious and loving father figure to the band. Some of the interactions with Toby Amies and Robert Fripp are excrutiating, but mesmerising as well. You really feel for Toby sometimes, being chided for asking what on the surface are normal innocent questions, to have them turned on their head by Fripp, who scolds him like a mildly pissed-off headmaster. I loved the interviews with former band members, who have their own stories to tell, which probably could be turned into a mini-series. Some are very sad stories, (Ian McDonald and Fripp want their heads knocking together) some are happy. There are some welcome visits into the past of the band, which don't go too deep, but then again this isn't that type of documentary, Amies isn't interested in giving a history of the band. My favourite parts of the doc are with Fripp, and the current members of the band who are very funny, sarcastic, terrifying, honest, sad and look sometimes that they are members of a cult. A part of the film that will haunt me are the interviews with Bill Reiflin, But I'm not going to dwell on those. You can try to explain what King Crimson are, at the end of the day it's a personal thing, you can go deep into the meanings of the songs, the spirit of the band, what it's like to travel the world just to get a glimpse of them on stage, (but please no photos or filming during the show or you'll get thrown out), but I think one of the funniest summing up's of the band are shared to us by a Brazilian(?) lady in the crowd who simply states 'I Love Tony Levin!' In one amazing statement cutting through all the pretentious tosh and putting feminism back 30 years. Priceless.

Ahlamiitta🍓🍓May 23, 2023

Unlike most of the intended audience of this doc, I am not a fan. However I have experienced this band live after being given a free ticket. Reading up on the band it seems they have a cult following, particularly from those who were in their teens during the 1970s. They are one of the most well known bands from the Prog Rock era so wonderfully sent up in Brian Pern. In concert I found them a difficult listen not knowing any of their tracks. Its obvious that some and by this I mean a small minority seem to get something from this band most do not. And that is kind of the problem. I have no difficulty with difficult music as I love artists such as Autechre who would leave your average KC fan in confusion. The problem with this band is it seems to be about reaching a peak experience through virtuoso playing of what are now quite arcane instruments. There is no progress in terms of sonic palate. This doc aims to shed some light on what goes on behind the scenes in terms of the functioning of the band, the bands relationships, its history and live experience. It manages to explore some of these better than others. What it does not do however is delve particularly deeply into the psychology of Robert Fripp. Using my background however its clear that Fripp displays many traits of obsessive compulsive personality. Which appears to drive his unfulfilled drive towards perfection, his rigid rules and anger when these aims are frustrated. Of course perfection doesn't exist so its always a mission deemed to fail. There is also a need for control over others so its no surprise that relationships with band members have fractured. This doc however does not seem to ask the question of Fripp of whether he is actually aware of his personality flaws or whether he has made any attempts to change these, for the better of his emotional life and those around him. Which was baffling. Particularly when its so obvious what the issues are and that they are easily addressed. It seems this documentary was more keen to maintain the image of Fripp as some type of troubled genius that nobody can fathom. Is that because the film maker is too much of a fan? If anything its the other band members past and present who make the biggest contribution, although it also seems they do not have a basic grasp of Fripps personality, some appeared damaged as a result. Thankfully there was not much in the way of music, its a mainly talking heads affair which will suit non-fans more, as the music tends to sound like the soundtrack of a European low budget horror movie. I am thinking Goblin and Suspiria of course. As for the KC peak experience, I doubt too many will get that watching this doc. While fans may initially warm to it, its actually quite surface level, there aren't many stand out moments, apart from one scene I had to actually check the video I was watching hadn't frozen. This one scene however explains why an in depth or revealing doc about Fripp will never be made. Its because he exerts so much control, particularly over himself, that at no point will he allow others to see below the surface. It would take a doc in which others who know him and free to talk will he be revealed. Talking of which, where was Toyah?

Sally SoweMay 23, 2023

As a lifelong fan I have been waiting for a good documentary about one of my favourite bands - or any documentary for that matter. Again a cliché is proven right on the (easy) money: good things come to those that wait. I never thought I would get this close to this most hermetic of bands and especially not to the Hermit In Chief: Robert Fripp. This film proves once and for all he's not (only) a cantakarous old sod, but also a deeply funny and intensely emotional man. And as a guitarist, one can only stand in awe of his dedication to his craft. Seeing a whole host of band members from the recent to the distant past speak of the band that in every instance changed their lives - for better, for worse or both. It is truly heartwarming that Bill Rieflin, who during the making of this documentary had stage four colon cancer, is made into a focal point all on his own. Not only the life of a band, but also the lives of the band members come to light. Even if you have never heard of King Crimson, you will be entertained by this well constructed documentary, filmed unflinchingly up close, and the quality and hilarity of the interviews, conducted in such places as on a stage, in a dismal van and at a candlelit dinner table. Deep earnestness and light-hearted taking the piss are around every corner. Just like in life, really. A worthy tribute: irreverent, spiky and funny. So do take a seat in this Court and bow your heads to the majesty of King Crimson.

skawngurMay 23, 2023

I don't know who made this the director... Well if it was ... He should look for a different line of work ... First of all the only band member here that had any signficance what Robert Fripp. And something is bugging him... I don't know if it was because it was the end of Crimson forever .. But he just seemed like a bitter old business man... Which part of this is true. If you do you own view of Crimson which your going to have to ... In my opinion I look at it like this In the 1970's 1980's and 1990's up to when those letters. EG was dismissed and I forget if it was the 1990's or not. But that just symbolic. It's about when first King Crimson made their first box set which mostly everything has been compact discs since. From the first square CD box set with that black and white booklet square shape next the live The Great Receiver and then Crimson reunited in 1994 for Vroom to Thrak ... Technology was taking more control over the band they toured from 1994 to 1996 and then Robert thought up of a idea to somehow get rid of Brugord and Levin called The Projeckts ... This had the new technology of Sound scapes the Roland drum kit making the stick talk and Bruford doing some insane stuff on a acoustic kit some of the more far playing I ever heard him do ... And withoutwarning Crimson with Belew ( you have to wonder about that did Robert really want like David Sylvian or who he eventually got Jakko who I never really liked and even more his remixing on certain classic Prog albums were ruined the high end when he would mix stuff barely existed... You have to multi crank the high end to hear anything. But this was a beginning... It was DGMlive which gave me the creeps.... For a band who hated bootleggers basically sold everyone they could find of one and the whole control of flash photography.. Fripp was a different person in the 1970's and the 1980's but the 1990's he mainly sat in the dark directly in the middle between Pat and Bill with no light almost like he wasn't there and had no emotion. Like he just seemed distraught and the 1990's was a freaking long tour for 2 years. So what started at remastering kept getting remastered and finally he emptied the vault out which I was and Crimson fans were wishing for but then you get them and your so overwhelmed you don't even want to hear the band anymore... And from someone who probably didn't want to sell mugs and shirts of Crimson's career that's what you will find on DGMlive.... Box sets shirts buttons ties just everything Crimson.. When there was time you be lucky to get a live album... So Fripp in the movie has this strange I'm not sure what it is because every word I think of will probably be wrong. And the documentary this Crimson was 90 percent a well oiled cover band... With nothing but complaining. This is not what Crimson is about but that's what I saw...And that's why the Q and A people even I watching was afraid of Fripp he's like so how did like this piece of crap.

Valina vertueMay 23, 2023

What offered a story was as deep as a teaspoon. Thank god there are additional music tracks, because I learned nothing about a band I love. Perhaps that's the point? Nothing from Tony Levin, very little of the past, apart from old film clips. I really hoped to learn more about King Crimson's heritage but there was nothing of note. We know Robert IS Crimson, now, but what of Wetton, Lake, et al? What of the music? I learned nothing of that, nor did I hear it. A wasted opportunity. Even teasers were unexplained. Dissaponted. What you saw in the trailer is about all you get. Really disappointed...

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