دراماالسنة2015المدة1h 52mIMDb5.3

عاليا

دراما

ألوفت هو فيلم من بطولة جينيفر كونيلي ، سيليان ميرفي ، و Mélanie Laurent. تواجه الأم المتعثرة الابن التي تخلت عنها قبل 20 سنة.

شاهد الآن

الإعلان الترويجي

طاقم العمل

Jennifer Connelly

Nana Kunning

Cillian Murphy

Ivan

Mélanie Laurent

Jannia Ressmore

Zen McGrath

Young Ivan (10)

William Shimell

Newman [Loslein]

Winta McGrath

Gully

Peter McRobbie

Ike

Ian Tracey

Hans

Mike Bell

Ronald (Driver-Pick-Up)

BS

Bobby Stahr

Man in Wheelchair

Oona Chaplin

Alice

Sean Skene

Stunt Coordinator

Sharon Bajer

Officer's Wife

Carson Nattrass

Officer--Local Town

Sarah Constible

Mother of Timothy

Andy Murray

Lance

MH

Muriel Hogue

Mrs. Savard

Tom Anniko

Man #1 (Camping Area)

التعليقات

10 تعليق

Mohamed Reda Dec 24, 2024

After watching this a second time, I wanted to jot down a word or two or three--especially after reading some critics' reviews. Films have such a unique effect on each individual that I don't really vibe with the word "review" when reading people's comments. I always view them rather as our opinions, feelings and interpretations of a movie--I know that's not an earth-shattering new thought or anything... Thank god for films like this. Amongst the world of overly-saturated big-budge moneymakers, I relish these types of films, always have. Sure, this may not be the most forthcoming and understandable film right out the gate; but with an open mind and a desire for unique storytelling, this film can speak volumes to a viewer. The cinematography (esp. close-up shots) and acting alone are some of the finest pieces of art I've seen. I'm also slightly biased as I am a mad fan of all three main cast members; their performances are so incredibly real as they disappear so seamlessly into their characters that I can be truly convinced they are living this story. Each character is so tragically beautiful and strong, but it's Mélanie's character that I resonate with the most--being young and dealing with an illness, trying to mask it and stay strong to reach whatever goal it is you can possible accomplish to heal yourself. I have lived my own version of this, and she performed it f*cking beautifully. Yes I had some trouble following along the first time through, but I just went with it--there was something about this film that I was OK doing that, letting the story guide me and not inserting my judgments along the way, which is not always the case with me and other movies. It's hard to explain. Even if it's a challenge to grasp the overarching themes/meaning of a film, identifying with or relating to just one element in a story can be enough to strike a cord and change something about a person, in the way they think or go about life or, etc. That's the beauty of storytelling. Also, after reading other comments, it sounds like I may have not viewed the director's cut, but a 15-min shorter version, which is a bummer because I was feeling like something wasn't being shown between Cillian's & Mélanie's characters when it seemed like they became incredibly close through their journey together towards the end. I could tell there was probably something going on between them, but the other scenes alluding to this weren't enough for me. Hoping to see a non-US version eventually.

Sufiyan H DhendhenDec 24, 2024

I was anxiously awaiting the release of Aloft in the US because I really enjoy the work of the two lead actors, Jennifer Connelly and Cillian Murphy. The film was in competition at the Berlin Film Festival last year so, there were plenty of reviews out there for me to read beforehand. I finally had a chance to watch it and in my opinion the critics missed the point of this film. They were in search of obvious plot points and cleanly presented character arcs. But, there is none of that. It is a melancholy film to be sure. The characters are existing in an environment lacking love, levity, hope and basic comfort (beautifully realized by the bleak environment of the frozen wilds of Canada.) Jennifer Connelly's character, Nana, is a single mother raising two boys; Gully who is terminally ill and Ivan who is woefully unloved and overlooked. Nana is not a sympathetic character in the least. She sees her circumstances as permission to inflict whatever poor choices she wishes on those around her and her choices run the gamete of self-indulgent to self- destructive. When she chooses to leave Ivan her rationalizations are flimsy and cruel and really only a justification for her to "get out" and put herself first. Cillian Murphy is subtly enthralling as a grown up Ivan. Raised in an environment of very little joy Ivan progresses from an unhappy, sullen boy into a short-tempered, hermit of a man that seethes with anger and distrust. There are moments throughout the film that show Ivan's vulnerability and capacity for sweetness. Like when he is training his beloved falcon or playing with his own son. But, he is damaged and guarded. The result of being unloved and discarded. The story is told in two separate timelines approximately 20 years apart and flashbacks help fill in the story of the boys before they are separated from their mother. Details are few and the circumstances of what caused the rift between Nana and Ivan are not fully realized until the end. I do feel like the depiction of the characters, flawed as they are, was realistic. Their choices were selfish, rooted in anger and hurt. But, it is a picture of the pain of physical and emotional abandonment and ultimately survivor's guilt. It shows that the choices that we make profoundly affect those around us and those ripples can be felt for a lifetime. There are no happy endings or neatly defined explanations for why people do what they do to the people that they love, this film depicts that ambiguity in a lovely way.

Fatimah Zahara SyllaMay 29, 2023

source: Aloft

LeandreNov 22, 2022

How could such talented actors involve themselves in such complete trash? What bothers me the most is the reverent tone of this preposterous film. The film makers were obviously looking for a story involving replacement religion/spiritual experience outside of actual religions and something acceptable to hip international audiences. With the beautiful Jennifer Connelly thrown in as a replacement Jesus. Looks like it didn't work since no one went to see the film. Don't blame them.

♥️ su-shant 💔🇳🇵Nov 22, 2022

I caught this movie halfway through. I was taken in and very intrigued but missing a lot, obviously. So I rewatched from the beginning and so glad I did. Some things might have been more confusing but I had seen further down so now I was understanding. It's definitely not a film for everyone. And I'm additionally annoyed that the US version is cut. However, all in all, I really did enjoy this film. I loved the actors and I thought they played their parts well. It does leave a lot open ended or up to interpretation and that can be frustrating. But I just can't stop thinking about it. I love those films that just stay with you and make you want to continue u deters ding and wrapping your mind around it.

🌬️ SonyaNov 22, 2022

A Spanish-Canadian-French drama; A story about a documentary filmmaker accompanying a falconer who sets out across a frozen landscape to find his mother, a faith healer, whom he hasn't seen in many years. This is a film that never takes flight. Its ethereal meditation and ponderous tone is at the expense of character development. The result is a long-winded, inaccessible drama lacking impetus. It's difficult for the viewer to make an emotional connection with any of the people when the film's plot that catches up later in the film.

Betsnat BtNov 22, 2022

After watching this a second time, I wanted to jot down a word or two or three--especially after reading some critics' reviews. Films have such a unique effect on each individual that I don't really vibe with the word "review" when reading people's comments. I always view them rather as our opinions, feelings and interpretations of a movie--I know that's not an earth-shattering new thought or anything... Thank god for films like this. Amongst the world of overly-saturated big-budge moneymakers, I relish these types of films, always have. Sure, this may not be the most forthcoming and understandable film right out the gate; but with an open mind and a desire for unique storytelling, this film can speak volumes to a viewer. The cinematography (esp. close-up shots) and acting alone are some of the finest pieces of art I've seen. I'm also slightly biased as I am a mad fan of all three main cast members; their performances are so incredibly real as they disappear so seamlessly into their characters that I can be truly convinced they are living this story. Each character is so tragically beautiful and strong, but it's Mélanie's character that I resonate with the most--being young and dealing with an illness, trying to mask it and stay strong to reach whatever goal it is you can possible accomplish to heal yourself. I have lived my own version of this, and she performed it f*cking beautifully. Yes I had some trouble following along the first time through, but I just went with it--there was something about this film that I was OK doing that, letting the story guide me and not inserting my judgments along the way, which is not always the case with me and other movies. It's hard to explain. Even if it's a challenge to grasp the overarching themes/meaning of a film, identifying with or relating to just one element in a story can be enough to strike a cord and change something about a person, in the way they think or go about life or, etc. That's the beauty of storytelling. Also, after reading other comments, it sounds like I may have not viewed the director's cut, but a 15-min shorter version, which is a bummer because I was feeling like something wasn't being shown between Cillian's & Mélanie's characters when it seemed like they became incredibly close through their journey together towards the end. I could tell there was probably something going on between them, but the other scenes alluding to this weren't enough for me. Hoping to see a non-US version eventually.

🇭🇺ina cali🇭🇺Nov 22, 2022

This movie is like a carcass with no bones... a lovely building with no foundation... music notes without a staff. The scenery is beautiful, the cast is superb, but so much is left to the audience to figure out on their own, that you are often left scratching your head. You are never given a reason to care about the mother or son... there is little depth to their characters, it's very "surface", like the ice that appears ubiquitously in the movie, and in some cases, in the characters' behavior.. Suddenly the mother seems to be saying goodbye to her son, and you're like "WTF?" Aloft is like a book that someone has randomly torn pages out of. And the anticipated ending/reunion? I blinked and the credits rolled! This would have been a terrific movie if it had been longer, more fleshed out, and had an ending worthy of putting all the time, money and effort into making a movie to begin with.

Smiley💛Nov 22, 2022

I know that Jennifer likes to do unusual movies but this one is her worst choice ever ! My Five First Minutes rule has been right : here, you understand nothing, the place, the characters and you are greatly annoyed by this spoiled brat with the falcon ! So the entire movie is like this : scenes drags painfully to say little, nothing is explained or makes sense, the characters are empty or boring, those cold winter locations are everything but poetic (prefer « Fargo »), Murphy brings his usual lack of charisma, the editing is salvaged by stupid flashbacks, proof that this writer/director can't tell a story ! For one movie that was about hope in distress, my watching was very painful, so much i have to fast forward it with absolutely no surprises, no emotion ! Just awful !

ARIANNE🥵Nov 22, 2022

It wasn't until I read the synopsis on IMDB did I work out what the story was about. I found the film impossible to concentrate on because it was so dull, there was no story and nothing of an value to watch. Why make this film? It seems a waste of time and effort. Watch something else, you will enjoy it much more.

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