مفامرةالسنة2021المدة1h 50mIMDb4.9

The Reckoning

مفامرةدرامارعب

غريس ، أرملة شابة تطاردها الانتحار الأخير لزوجها جوزيف ، متهمة زورا بأنها ساحرة من قبل المالك لها بعد أن رفضت تقدمه.

شاهد الآن

الإعلان الترويجي

طاقم العمل

Neil Marshall

Director

Charlotte Kirk

Grace Haverstock

Sean Pertwee

John Moorcroft

Steven Waddington

Squire Pendleton

JA

Joe Anderson

Joseph Haverstock

SM

Suzanne Magowan

Ursula

Ian Whyte

Lucifer

CG

Callum Goulden

Edwin Oswald

Sarah Lambie

Kate Tobias

Leon Ockenden

Morton Tobias

Emma Campbell-Jones

Jane Hawthorne

Mark Ryan

Peck

Bill Fellows

Sutter

Oliver Trevena

Crowley

TE

Tomas Engström

Smith

Indianna Ryan

Astrid

Emma Holzer

Leonora

Cal MacAninch

Ben Tuttle

Rick Warden

Rev Malcolm

Neil Marshall

Writer

Charlotte Kirk

Writer

EE

Edward Evers-Swindell

Writer

AJ

Antony Jones

Writer

التعليقات

10 تعليق

أبوبكر محمد التارFeb 13, 2025

abdollah bellaDec 24, 2024

(Very mild spoilers in the last paragraph) "Clumsy" is the first word that comes to mind when describing Neil Marshall's disappointingly unambitious Dark Age drama. In recent years we've been spoiled, perhaps, with well-executed female-led period revenge tales; Jennifer Kent's spellbinding The Nightingale was one of the best films of last year, and Mirrah Foulkes' devilish Judy & Punch quickly became a highlight of 2020. It's hard, then, not to compare The Reckoning to other films in recent memory with such superficial similarities, especially when it pales so thoroughly in comparison. Grace (Charlotte Kirk) kicks us off by laying to rest her husband who has hanged himself on a tree outside their cottage. We learn, through parallel flashbacks, that he contracted "The Sickness" and took his own life to protect his family from the contagion. This sets off a chain of events that leads to Grace being accused of witchcraft by the town's petulant sheriff (Steven Waddington), who calls in a witch hunter to prosecute her (Sean Pertwee, spending the film twirling not only his own mustache but even the mustaches of those around him). What follows is a series of torture scenes, each more uncomfortably unrestrained than the last, interspersed with Grace's increasingly disturbing nightmares. These dream sequences should be the core of the film, as Grace's visions get more introspective and erotic, imagining her husband's embrace shifting into carnal acts with the devil himself. Instead, just like the torture, they never get more interesting even as they grow more graphic. Every turn the plot takes is a predictable one. Every character is as stock as they come. Kirk, leading the cast and co-writing the script, delivers a bland performance that rarely conveys the suffering Grace endures. Marshall's direction is just as uninspired, with an inconsistent tone and a wobbly handheld camera that sticks to flat planes and textbook compositions. The production design lacks authenticity and the effects, while bloody, carry neither grit nor weight. Supporting performances are almost universally awful, given no help by the broad, clunky dialogue or their paint-by-numbers characterizations. Even Christopher Drake's sweeping score is overshadowed by the Hans Zimmer soundtracks it so clearly tries to evoke. By the end of The Reckoning, once it's become clear that there's no deeper meaning to explore, no surprising twist to alleviate the gloom and nothing left to do but wait out the runtime, Grace's final revenge feels like less of a resolution and more of a liberation - as she stumbles, victorious, through a marsh, drenched in blood and dragging a broadsword behind her, the audience is equally free to go rewatch Judy & Punch instead.

Asmae CharifiDec 24, 2024

I just don't understand why the F... people hate this film? I thought it was excellent... I was glued to the screen from start to finish... Great performances from Charlotte Kirk and Sean Pertwee... Definitely one of the best films from master Neil Marshall...

DBNGOGOJul 18, 2024

steveJul 15, 2024

Anita GordonNov 22, 2022

I "SAW" the movie. Definitely a very good movie to watch. I recommend you watch. The trailer is NOT the same as the movie. The movie is totally different. I don't want to reveal to much but it is about a woman who is being systematically forced to become the mistress of a squire after her husband dies(the squires doings). She resists throws him out of the cottage when he comes to visit her. Enraged and mad in lust at being foiled he spreads false rumors that the woman is a witch. Watch this film to find out what happens next. Neil Marshall has a cult following with his The Descent 2005 movie, but this I believe is his finest offering.

Faith_nketsiNov 22, 2022

God, what a poor experience this film is! Set in 1665 England, the year of the Great Plague, the film is dreary, low budget and filmed in such darkness most of the time that it might as well be a black-and-white. The characters and action is so cliché, too, greedy landowner hits on hot farm-girl widow, she rebuffs him, and he declares her a witch! Really? Was this written by a moron?! There's just no way ANY of this happened back then, or any time. And Charlotte Kirk as Grace Haverstock, the farm-girl widow. She's WAAAYYY too hot for this character. Women back then in old England, during The Great Plague, were nasty looking, with bad dentals, so this film is just all kinds of wrong, bad writing and directing. Just add it to the Covid-era pile of rubbish out back.

IKGHAMNov 22, 2022

Not great but ok Watchable and lead actress is great so are the other brits. Reviewers who think it's crap must all love avatar. If you got passion and u have knowledge then it's ok for a fri night Nice one Neil But still want dig soldiers 2

Lili NegussieNov 22, 2022

Maybe it's because the majority of the cast are relatively unknown, that this film doesn't get the recognition it deserves...but this film is solid. I totally understand that we all perceive movies differently...but giving this movie a 1/10 is just bizarre! It looks and sounds great...in fact, the score is amazing. Even the music for the closing credits is excellent! A strong female lead and a good supporting cast. The only issue I have is that for a film set in the 1600's, sometimes the actors say things/behave in a way that's straight out of the 21st century! I won't spoil it and say what these things were, but they certainly seem out of place...and if you're really watching, you'll notice it too. Overall I really enjoyed it. I'm not really a fan of films set in medieval times, but this and 'A Knight's Tale' are certainly mould breakers.

khaled خالدNov 22, 2022

I had virtually no idea what I sat down to watch, as I happened to get the opportunity to watch the 2020 movie "The Reckoning". But the movie's cover had some appeal to it, and since I hadn't already seen the movie, of course I managed to find the time to do so. Well, "The Reckoning" definitely had potential to be something unique and interesting, yet amazingly enough then writers Neil Marshall, Charlotte Kirk and Edward Evers-Swindell managed to produce only a lukewarm script that offered little in terms of a storyline that ensorcelled the audience. Sure, "The Reckoning" is watchable, but it is a very bland and highly forgettable movie. The storyline in "The Reckoning" was one that had so much to offer, yet the writers failed entirely to seize the material readily available within hands reach and let director Neil Marshall bring something truly worthwhile to the screen. The end result is a very mediocre movie about alleged witchery and plague set during the year of 1665. Visually, then "The Reckoning" wasn't lacking anything. There were a great many sets, scenes, props and costumes, which definitely helped to build a world set in 1665. But the lack of an interesting and captivating storyline just made it all seem so futile. The characters in the movie had lots of potential to be grown and nurtured into full-fledged characters with many aspects to them, but again, the writers were just not delivering where it mattered. And this resulted in most of the characters coming off on the screen as being superficial and rather one-dimensional characters. Now, it should be said that acting in the movie was actually fairly good, especially when taking into consideration the severe limitations imposed on the actors and actresses by a lack of proper script and having half-written characters to work with. It should be mentioned that Charlotte Kirk (playing Grace Haverstock), Sean Pertwee (playing John Moorcroft) and Steven Waddington (playing Squire Pendleton) definitely put on great performances, just a shame it was done within such a mediocre movie. While I managed to sit through the entire movie, this movie was not one that rang overly entertaining, nor is it a movie that I would recommend you rushing out to get a copy of - because it just wasn't that good. My rating of the movie settles on a very mediocre and bland five out of ten stars.

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