KatatakutanTaon2019Tagal1h 21mIMDb5.5

Piercing

KatatakutanMisteryoThriller

A man kisses his wife and baby goodbye and seemingly heads away on business, with a plan to check into a hotel, call an escort service, and kill an unsuspecting prostitute.

Panoorin Ngayon

Trailer

Cast

Nicolas Pesce

Director

Christopher Abbott

Reed

Laia Costa

Mona

Mia Wasikowska

Jackie

Will Brill

The Bellhop

Paul Nazak

The Old Man

Wendell Pierce

The Doctor

Olivia Bond

The Bunny Girl

Dakota Lustick

Young Reed

Maria Dizzia

Chevonne

Marin Ireland

Reed's Mother

Ryû Murakami

Writer

Nicolas Pesce

Writer

Mga Komento

10 Mga Komento

Andaaz SuhanMay 29, 2023

Jeancia JeudinaMay 29, 2023

source: Piercing

Afia100Nov 22, 2022

Enjoyed it... just the right length ... this type of film always brings out negative commentors because it really isn't for everyone. If you like quirky, and you are not super conservative or squeaminsh then give it as shot. 6.4

Sid'Ahmed AbdelahiNov 22, 2022

A darkly comic, unnerving and occasionally chilling depiction of the sadistic psychopath inside. A man named Reed (Christopher Abbott) is happily married; a wonderful family life with a newborn baby. It's made clear in the opening frames that he has a desire to hurt and to kill. He loves his family too much to exploit them so plans a pretend business trip in which he actually is going to rent a hotel room and book a prostitute to murder. A lady of the night named Jackie (Mia Wasikowska) is hired and upon a dispute the two have, she locks herself in the bathroom. What follows on from there is better left unsaid to provide the best viewing experience as I only knew up until this point going in and it's one hell of a twisted ride. First thing to say the two leads are fantastic! Wasikowska is terrific; she's created such an interesting film career starting with Tim Burton's Alice In Wonderland to more adult darker territory with works such as Park Chan-Wook's Stoker and Guillermo Del Toro's Crimson Peak. She portrays sexuality no matter how fetishistic with such dignity and delicacy that is really refreshing to see in modern cinema and she is a real talent; really fleshes out her characters. Abbott is also brilliant and portrays a man on the edge really well; confusion and morbid fascination all wrapped up in a neurotic package. It's a slow burning film and definately gets better on more watches; becoming even funnier once the intense first watch is complete and you know what is to happen. There is a certain drug influenced scene that genuinely made my skin crawl and is really creepy. The soundtrack is great and writer/Director Nicholas Pesce conjures a very taut atmosphere and adapts the material well from Ryu Murakami's novel of the same name. It's not going to be everyone's cup of tea and I'm sure the ending will frustrate some; it's pretty abrupt and I wasn't sure about it upon first watch but it makes more sense on a second watch. Overall, it will divide opinion but I think it's pretty damn good and worth a watch for those intrigued by darker material

Lungelo MpangaseNov 22, 2022

I like the 70s style to the film and the send off of Hitchcock but not the substance of the plot and the failure to ultimately deliver, especially the ending... although there were things to be admired about this film

Delo❤😻Nov 22, 2022

There is kind of a plot that this family man has a wish to go and kill a prostitute. He has a plan where his wife think he is going on a business trip but really he is going to pursue this killing. As soon as the prostitute arrives at the hotel, the movie takes a turn from "normal" to "psychotic". The remaining 1 hour makes NO sense at all. Stuff happens, but without any point. Why this movie was even produced is beyond my comprehension.

RAMONA MOUZ🇬🇦🇨🇬🇨🇩Nov 22, 2022

The novel by Ryu Murakami was billed as being a shocking work of horror, reminiscent of his horror masterpiece, Audition. I thought that by watching the film, I would get an idea of what the story in the book might entail. This movie, however, was not scary and it was not anywhere near the brilliance of Audition. It was a stylish modernized neo-noir thriller, disguised as a character study, disguised as a horror movie. This movie has no solid identity, and to call it a straight horror film would be incorrect, just like calling it a thriller would also be. What it is is a movie that tries to do many things, but the only thing it succeeds in being is being pretty. Personified, this movie is like a runway model who has no other talents. Very nice to look at...but that's it. We have the lead, who is as unlikable a character as you can get. We barely have to time to get to know him, and I immediately disliked everything about him. He's mousy, frail and weak; everything a leading man shouldn't be. He has a dangerous *, and is trying to go through with it by using a call girl. The call girl is as crazy as you expect, but she is also unlikable. She is also mousy and frail, looking as if she would tip over if you breathed on her. She has no redeemable qualities, and makes you not really care about her disposition. Side characters are not given enough screen time to matter, and flashbacks don't have the impact they would have if you cared about anyone in the movie. I would liken watching this movie like sitting through a home movie of a group of people I disliked. I struggled to care, I was a bit shocked at what was going on, but in the end I was left with a resounding, "That's it? MEH!", which a movie should NEVER do. The Japanese language has many nuances that don't really translate well to English. This is probably why there hasn't been a truly exceptional American film that was made from a work of Japanese literature. I am going to read the novel to see how it holds up to the film, and I really hope that it is nothing like this movie. I was looking forward to the follow up of one of my favorite horror movies, "The Eyes of My Mother'. I could not be more disappointed. What a shame.

jameskofyNov 22, 2022

This is an example of a recent type of movie typified by Amer (2009), The Strange Colour of your Body's Tears (2013) and The Love Witch (2016), which derives much of its aesthetic and aural influence from the Italian giallo films of the 70's. Being a confirmed sucker for this sub-genre, I pretty much immediately cut Piercing some slack more or less straight away. The soundtrack includes music from the likes of Goblin and Ennio Morricone, which adorned giallo classics from the past, while the look was reminiscent of this period too, with decidedly retro décor and devices, including a yellow (giallo) phone and record player. The 21st century doesn't encroach much in this movie. It has to be said that its chief strength is certainly in its look and sound, which also includes extensive use of Brian DePalma inspired split-screen too. The story itself additionally recalls elements of the Japanese horror Audition (1999). It is about a sociopathic man who stops short of murdering his baby daughter when he thinks he hears her talk to him, impelling him to murder a call girl. Consequently, he books a hotel room and hires a girl but the trouble is that she seems to be as deranged as he, leading the spider to become the fly. Christopher Abbott and Mia Wasikowska star in this one, with very few other actors appearing. It is a very minimalistic affair story-wise, in what boils down to a cat-and-mouse narrative. Truthfully, the story is probably the weak point here, as it doesn't particularly go anywhere and could have done with a bit of extra development I reckon. There isn't quite enough meat to it to ensure it is entirely satisfying. Still, even though I have some reservations, I did enjoy this one nevertheless. I appreciated the giallo influence (even though it certainly is not a giallo itself) and did like the overall visual presentation. Some scenes were particularly well done, such as the bad trip sequence, and it does have a somewhat off-kilter feel to it in terms of atmosphere and performances throughout. One thing is for sure though, this one is going to be very divisive, as its flagrant disregard for narrative will put a few folks well off but if you don't mind that too much and have a love of the flamboyant style of the 70's Italian thrillers then this one should at least tick a few boxes for sure.

sfaruki076Nov 22, 2022

A very disappointing film........ Really didn't enjoy. I was looking forward to it from the trailer but just goes nowhere and makes very little sense...... Totally stupid actions and terrible characters go from one crap line to another. And then has the nerve to leave the viewer totally unsatisfied with a lazy ending that.......really isn't an ending at all. Avoid.

Valina vertueNov 22, 2022

I found everything about this film awesome! From the 70's setting to the übercool music to the twists and turns in the story. It's absurd and gory in a unconventional way, as well as stylish and well-acted. As a leading man, Christopher Abbot has a magnetic presence throughout. Highly recommended, especially for horror fans that are tired of generic flicks within this genre.

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Piercing

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