ComédieAnnée2020Durée1h 45mIMDb5.2

Black Magic for White Boys

Comédie

In an almost ruined theater, among bizarre characters, a businessman decides to appeal to his old book of "real" magic spells to modify his financial crisis while a middle-aged man gets in trouble when his new girlfriend becomes p...

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Bande-annonce

Casting

Onur Tukel

Director

Teisha Hickman

Teisha

FR

Franck Raharinosy

Fred

Frantzdy Alexandre

Open Mic Night Performer

Gesley Alexis

Chelsea

Jacqueline Almonte

Jackie

BB

Bar Bar

Jessica

JB

Jamie Block

Jamie

Irene Bremis

Wendy

Ron Brice

Bus Stop Guy

Colin Buckingham

Dean

TJ

Tavares Jamal Cherry

Bryson

Jules Citro

Comedian

Nowa Clark

Hester

D

Denisa

Alina

David Denowitz

Chet

Eva Dorrepaal

Lucy

Kyvon Edwin

Kelvin

Onur Tukel

Writer

Commentaires

10 commentaires

✨KO✨May 29, 2023

Naomi Mâture KankouMay 29, 2023

source: Black Magic for White Boys

NdeshiiMay 23, 2023

Intertwining stories about the manager of a small, struggling theater who has to resort to his real magic book to make ends meet, and a middle-aged man-child having to deal with his girlfriend's unwanted pregnancy. There's some good stuff here, which would make some sort of minor hit under different conditions. However, the movie falls into the same traps as many other wannabe-indie comedies do: A middle-aged man who still acts like a child is N-O-T funny. Not since Seinfeld. If anything, the character irritates the hell out of the audience. Plus, bombarding the audience's ears with three people talking at once, with each one trying to outdo the others as if they were in a fast-talking contest, does not help either. Such long dialogue gives the impression that the writer has a deep, Shakespearean story to tell with many facades, although his material is actually very thin, very light. Not that this is a bad thing, of course, great movies can be made from thin material. But as long as they're treated properly, not as if they're a Greek tragedy. And there are too many references to other movies, which looks like a sad attempt to look Tarantino-esque: Friday The 13th, The Invisible Man, The Elephant Man, Slumdog Millionaire, Misery, and a few more. But I don't expect anyone to think "Well, this guy sure knows his movie history! Welcome, Tarantino 2.0!" They look more like random movie names sprinkled throughout the script. The director does manage to juggle the two main stories somewhat seamlessly, which is something that not every moviemaker can do. And some characters and some scenes work, but overall, it comes off as mediocre. It's a chore to follow everything that's being said, and that's not a good sign for a comedy. Five stars is actually very generous.

Marcel_2boyzMay 23, 2023

Not bad, not bad at all. I enjoyed it. The ending was pretty weak though.

user9088488389536May 23, 2023

This is watchable though suffers from a weak script, and some less than stellar acting. The black characters were excellent, but the rest of the cast struggled with the poor dialogue and direction. The plot didnt really make a lot of sense and the ending was weak. None of the white characters were engaging or very likeable. Wouldn't really recommend.

Amar & Amrit DahalMar 13, 2023

source: Black Magic for White Boys

Puneet MotwaniNov 22, 2022

This is watchable though suffers from a weak script, and some less than stellar acting. The black characters were excellent, but the rest of the cast struggled with the poor dialogue and direction. The plot didnt really make a lot of sense and the ending was weak. None of the white characters were engaging or very likeable. Wouldn't really recommend.

Abiri Oluwabusayo KhloeNov 22, 2022

Intertwining stories about the manager of a small, struggling theater who has to resort to his real magic book to make ends meet, and a middle-aged man-child having to deal with his girlfriend's unwanted pregnancy. There's some good stuff here, which would make some sort of minor hit under different conditions. However, the movie falls into the same traps as many other wannabe-indie comedies do: A middle-aged man who still acts like a child is N-O-T funny. Not since Seinfeld. If anything, the character irritates the hell out of the audience. Plus, bombarding the audience's ears with three people talking at once, with each one trying to outdo the others as if they were in a fast-talking contest, does not help either. Such long dialogue gives the impression that the writer has a deep, Shakespearean story to tell with many facades, although his material is actually very thin, very light. Not that this is a bad thing, of course, great movies can be made from thin material. But as long as they're treated properly, not as if they're a Greek tragedy. And there are too many references to other movies, which looks like a sad attempt to look Tarantino-esque: Friday The 13th, The Invisible Man, The Elephant Man, Slumdog Millionaire, Misery, and a few more. But I don't expect anyone to think "Well, this guy sure knows his movie history! Welcome, Tarantino 2.0!" They look more like random movie names sprinkled throughout the script. The director does manage to juggle the two main stories somewhat seamlessly, which is something that not every moviemaker can do. And some characters and some scenes work, but overall, it comes off as mediocre. It's a chore to follow everything that's being said, and that's not a good sign for a comedy. Five stars is actually very generous.

Colombe kathelNov 22, 2022

Not bad, not bad at all. I enjoyed it. The ending was pretty weak though.

Doreen NdovieNov 22, 2022

Black Magic for White Boys

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