DokumenterTahun2022Durasi1h 51mIMDb7.9

Ron Carter: Finding the Right Notes

DokumenterBiographyMusik

The life and career of jazz musician Ron Carter, the most recorded bassist in history, featuring original concert footage and insights from jazz icons.

Tonton Sekarang

Trailer

Pemeran

Ron Carter

Self

Jon Batiste

Self

MR

Mark Ruffin

Self

Stanley Clarke

Self

George Benson

Self

BW

Buster Williams

Self

Herbie Hancock

Self

DQ

Don Quelette

Self

Sonny Rollins

Self

BD

Brandi Disterheft

Self

RC

Ron Carter Jr.

Self

Christian McBride

Self

PC

Payton Crossley

Self

VW

Victor Wooten

Self

QW

Quintell Williams

Self

SL

Sergio Larios

Self

RR

Renee Rosnes

Self

PB

Poogie Bell

Self

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Ron Carter: Finding the Right Notes

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Komentar

6 Komentar

Reyloh ReeOct 16, 2023

TheLazyMakotiMay 29, 2023

source: Ron Carter: Finding the Right Notes

Nadine LustreMay 23, 2023

Just caught this fine documentary late night on a PBS broadcast, and was delighted to learn a lot about a jazz musician I've long admired, bassist Ron Carter. Beyond his estimable musical talents which I enjoyed in person (dating back to a Miles Quintet performance at Lenny's on the Turnpike in Peabody, Massachusetts in 1966) and on innumerable recordings over the decades, I appreciated learning of his philosophy of life, positive reactions to the travails of racism he experienced during the Jim Crow era, as well as the film's testimonials by his peers, such as bandmate Herbie Hancock (in that memorable Miles Davis quintet of the 1960s, often considered among the greatest combos of all times, in competition with MIles' own 1950s groups). There are many quite moving moments -always signs of a great documentary: Ron standing at the gate of his childhood home, choked up, unable to go inside; his reaction to the death of his son; his looking at photos of greats shown to him by a photographer ranging from Monk to Miles and noting that he'd played with all of them except for Trane; his recollection of having to walk to school way out of the direct route because of streets (including sidewalks) adjacent to his own that as a vintage sign proclaimed were for "Whites Only"; and his many interactions with fans the world over. One colleague refers to him as enigmatic, and I realized that I also knew very little about the man, having sort of taken him for granted, so consistent is the quality of his work over the years. Yes, I owned and listened to many of his LPs and later CDs as a leader, including the important "Uptown Conversation" that featured his young sons on the black & white cover posing with him, but my overall impression was his steady, solid supporting contribution/collaboration with other artists, a true team player. And never the flashy, almost caricature of an icon that we're accustomed to in our celebrity-obsessed culture, like a Miles, Monk or Chet Baker. This highly personal portrait is clearly overdue, and underscores what fans have long known: Ron Carter the GOAT on bass.

Brenda Mackenzie 🇨🇮Mar 2, 2023

source: Ron Carter: Finding the Right Notes

Floyd MayweatherNov 22, 2022

Just caught this fine documentary late night on a PBS broadcast, and was delighted to learn a lot about a jazz musician I've long admired, bassist Ron Carter. Beyond his estimable musical talents which I enjoyed in person (dating back to a Miles Quintet performance at Lenny's on the Turnpike in Peabody, Massachusetts in 1966) and on innumerable recordings over the decades, I appreciated learning of his philosophy of life, positive reactions to the travails of racism he experienced during the Jim Crow era, as well as the film's testimonials by his peers, such as bandmate Herbie Hancock (in that memorable Miles Davis quintet of the 1960s, often considered among the greatest combos of all times, in competition with MIles' own 1950s groups). There are many quite moving moments -always signs of a great documentary: Ron standing at the gate of his childhood home, choked up, unable to go inside; his reaction to the death of his son; his looking at photos of greats shown to him by a photographer ranging from Monk to Miles and noting that he'd played with all of them except for Trane; his recollection of having to walk to school way out of the direct route because of streets (including sidewalks) adjacent to his own that as a vintage sign proclaimed were for "Whites Only"; and his many interactions with fans the world over. One colleague refers to him as enigmatic, and I realized that I also knew very little about the man, having sort of taken him for granted, so consistent is the quality of his work over the years. Yes, I owned and listened to many of his LPs and later CDs as a leader, including the important "Uptown Conversation" that featured his young sons on the black & white cover posing with him, but my overall impression was his steady, solid supporting contribution/collaboration with other artists, a true team player. And never the flashy, almost caricature of an icon that we're accustomed to in our celebrity-obsessed culture, like a Miles, Monk or Chet Baker. This highly personal portrait is clearly overdue, and underscores what fans have long known: Ron Carter the GOAT on bass.

user9761558442215Nov 22, 2022

Ron Carter: Finding the Right Notes

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